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This article focuses on science fiction and actor network theory as ways of writing displacement which are relevant to organization studies. Recent work within organizational theory and related (sub)disciplines has suggested that the articulation of organization as a privileged site of presence is made possible by that which is Othered and excluded (or rather deferred) as representing disorganization and disorder. Organizations in this view constitute `incomplete and transient' accomplishments always under threat from various forms of intrusion and displacement. By way of illustration, two examples of displacement! intrusion and their associated organizational `dramas of proof' are examined as a way of exploring how the Other, the alien and out of place, is realized in representation.
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