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Organization of Arts and Entertainment Industries
4 references·8 citing·49 second hop
Organization of Arts and Entertainment Industries (2006)Organization of Arts and Entertainment In…Creative industries: contracts between art and commerce (2000)Creative industries: contract…Middlemen as Experts (1993)Middlemen as ExpertsIncomplete Contracts, Vertical Integration, and Supply Assurance (1993)Incomplete Contracts, Vertica…The Elite Arts, More or Less de rigueur: A Comparative Analysis of Metropolitan Culture (1986)The Elite Arts, More or Less …Music consumption in Brazil: an analysis of streaming reproductions (2020)Music consumption in Brazil: …Agglomeration economies in creative industries (2019)Agglomeration economies in cr…Functions of intermediaries in arts-based cooperations (2017)Functions of intermediaries i…ECONOMIA CRIATIVA: DA DISCUSSÃO DO CONCEITO À FORMULAÇÃO DE POLÍTICAS PÚBLICAS (2015)ECONOMIA CRIATIVA: DA DISCUSS…Field maturation in journalism: The role of hackademics as a ‘motley crew’ (2013)Field maturation in journalis…The Fashion Lottery: Cooperative Innovation in Stochastic Markets (2010)The Fashion Lottery: Cooperat…Industrias creativas: novedades, objeciones y perspectivas (2010)Industrias creativas: novedad…The measure of all things: on the use of time as a value indicator in arts impact assessment (2009)The measure of all things: on…The Coming of Post-Industrial Society: A Venture in Social Forecasting. (1974)An Evolutionary Theory of Economic Change. (1983)A sociedade em rede (2012)Stakeholder engagement in creative economy companies: strategies to face the COVID-19 crisis (2022)Competitive Strategy: Techniques for Analyzing Industries and Competitors (1980)The Costs and Benefits of Ownership: A Theory of Vertical and Lateral Integration (1986)The Economic Institutions of Capitalism (1987)On the Transaction Cost Determinants of Vertical Integration (2003)Chapter 33 A Primer on Foreclosure (2007)Determinants of Vertical Integration: Financial Development and Contracting Costs (2009)Reproduction in Education, Society and Culture (1979)Distinction: A Social Critique of the Judgement of Taste. (1985)The scope and purpose of cultural economics: a view and some suggestions from the policy fringe (2009)Arts funding in New Zealand: a proposal for reform (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)The Role of Market Forces in Assuring Contractual Performance (1981)Signaling Games and Stable Equilibria (1987)Market Microstructure and Intermediation (1996)Security price adjustment across exchanges: an investigation of common factor components for Dow stocks (2002)Competition through Commissions and Kickbacks (2012)Organizations and Environments (1980)The rise and fall of highbrow snobbery as a status marker (1997)Democracy in America (2000)Culture and Competition: Homophily and Distancing Explanations for Cultural Niches (2003)Chapter 17 Organization of Arts and Entertainment Industries (2006)The Theory of the Leisure Class (2009)Whatisthe Difference Between Organizational Culture and Organizational Climate? A Native's Point of View on a Decade of Paradigm Wars (1996)Creative Industries: Contracts between Art and Commerce (2001)JERAA@40: Towards a history of the professional association of Australian journalism academics (2015)The Competitive Advantage of Nations (1990)The Competitive Advantage of Nations (1991)Growth in Cities (1992)Analyzing the Role of High-Tech Industrial Agglomeration in Green Transformation and Upgrading of Manufacturing Industry: the Case of China (2022)Do compact cities have higher efficiencies of agglomeration economies? A dynamic panel model with compactness indicators (2022)How does economic agglomeration affect energy efficiency in China?: Evidence from endogenous stochastic frontier approach (2022)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Is ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France (2007)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market (2022)A New Approach to Consumer Theory (1966)A New Approach to Consumer Theory (1976)Risk Management: Coordinating Corporate Investment and Financing Policies (1993)The strategy of raising counterfeiters’ costs in luxury markets (2010)Effect of piracy on innovation in the presence of network externalities (2013)The Fashion Originators’ Guild of America: Self-help at the edge of IP and antitrust (2014)In the Social Factory? (2008)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Die Gesellschaft der Singularitäten (2018)
this work references cited by second hop

References

  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 1993Middlemen as Experts512 cited
  • 1993Incomplete Contracts, Vertical Integration, and Supply Assurance342 cited
  • 1986The Elite Arts, More or Less de rigueur: A Comparative Analysis of Metropolitan Culture30 cited

Cited by

  • 2019Agglomeration economies in creative industries116 cited
  • 2010The Fashion Lottery: Cooperative Innovation in Stochastic Markets20 cited
  • 2009The measure of all things: on the use of time as a value indicator in arts impact assessment12 cited
  • 2015ECONOMIA CRIATIVA: DA DISCUSSÃO DO CONCEITO À FORMULAÇÃO DE POLÍTICAS PÚBLICAS10 cited
  • 2020Music consumption in Brazil: an analysis of streaming reproductions10 cited
  • 2013Field maturation in journalism: The role of hackademics as a ‘motley crew’8 cited
  • 2017Functions of intermediaries in arts-based cooperations7 cited
  • 2010Industrias creativas: novedades, objeciones y perspectivas3 cited

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