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Situating bhangra dance: a critical introduction
15 references·1 citing·34 second hop
Situating bhangra dance: a critical introduction (2013)Situating bhangra dance: a critical intro…Longings and belongings: Indian American youth identity, folk dance competitions, and the construction of ‘tradition’ (2011)Longings and belongings: Indi…Bhangra Moves: from Ludhiana to London and Beyond (2011)Bhangra Moves: from Ludhiana …Bhangra Moves: From Ludhiana to London and Beyond (2010)Bhangra Moves: From Ludhiana …Choreographic politics: state folk dance companies, representation, and power (2003)Choreographic politics: state…Drum'n'dhol 1 (2002)Drum'n'dhol 1Choreographic Politics: State Folk Dance Companies, Representation and Power (2002)Choreographic Politics: State…The Garland Encyclopedia of World Music, Vol. 5: South Asia, the Indian Sub-continent (2000)The Garland Encyclopedia of W…Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, Cosmopolitans, …The arts Britain ignores : the arts of ethnic minorities in Britain. (1996)The arts Britain ignores : th…Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics (1995)Music as symbol, music as sim…"Bombay, U.K., Yuba City": Bhangra Music and the Engendering of Diaspora (1995)"Bombay, U.K., Yuba City": Bh…Micromusics of the West: A Comparative Approach (1992)Micromusics of the West: A Co…Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music (1990)Black Music in Britain: Essay…Ghazals to Bhangra in Great Britain (1988)Ghazals to Bhangra in Great B…A Glossary of the Tribes and Castes of the Punjab and North-West Frontier Province (1911)A Glossary of the Tribes and …“Balle-Balle, Balle-Balle”: Fashion – British bhangra style* (2016)“Balle-Balle, Balle-Balle”: F…Gender Trouble: Feminism and the Subversion of Identity (1991)The Black Atlantic: Modernity and Double Consciousness. (1997)Introduction: The Materiality of Diaspora—Between Aesthetic and "Real" Politics (2000)The place which is diaspora: Citizenship, religion and gender in the making of chaordic transnationalism (2002)Theorising Complex Diasporas: Purity and Hybridity in the South Asian Public Sphere in Britain (2004)The Location of Culture (2012)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Mapping subversion:Queercore music's playful discourse of resistance (1997)Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong (1999)Playing with Identities in Contemporary Music in Africa (2003)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Flow: the psychology of optimal experience (1990)Interpreting world music: a challenge in theory and practice (1997)Riffs, Repetition, and Theories of Globalization (1999)The Schenker Project (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)India: Caste, Kingship, And Dominance Reconsidered (1988)Islamic Homosexualities: Culture, History, and Literature (1997)Antagonistic Tolerance (2002)The Male Dancer in the Middle East and Central Asia (2006)Comparative Perspectives on Afro-Latin America (2012)Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Rock Aesthetics and Musics of the World (1997)World Music in Television Ads (2000)Music and the Global Order (2004)World music: deterritorializing place and identity (2004)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Review essay (2004)Race, Ethnicity, and Cultural Production (2013)Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism (2014)Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identity (1994)Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–2005 (2010)Music-Dance (2017)
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References

  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited
  • 1992Micromusics of the West: A Comparative Approach182 cited
  • 1911A Glossary of the Tribes and Castes of the Punjab and North-West Frontier Province144 cited
  • 1995"Bombay, U.K., Yuba City": Bhangra Music and the Engendering of Diaspora117 cited
  • 2003Choreographic politics: state folk dance companies, representation, and power110 cited
  • 1996The arts Britain ignores : the arts of ethnic minorities in Britain.78 cited
  • 2002Choreographic Politics: State Folk Dance Companies, Representation and Power77 cited
  • 1990Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music74 cited
  • 1995Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics54 cited
  • 1988Ghazals to Bhangra in Great Britain52 cited
  • 2002Drum'n'dhol 139 cited
  • 2011Bhangra Moves: from Ludhiana to London and Beyond24 cited
  • 2011Longings and belongings: Indian American youth identity, folk dance competitions, and the construction of ‘tradition’23 cited
  • 2010Bhangra Moves: From Ludhiana to London and Beyond14 cited
  • 2000The Garland Encyclopedia of World Music, Vol. 5: South Asia, the Indian Sub-continent

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  • 2016“Balle-Balle, Balle-Balle”: Fashion – British bhangra style*1 cited