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This paper gives an overview of the notions of authenticity, historicity and methodology in the digital art preservation field. These reflections result from a two-years research project on the preservation of complex digital objects. In this frame, I worked in close collaboration with the ZKM|Center for art and media technology in Karlsruhe, Germany, on the piece of digital art Interactive Plant Growing, to produce a preservation case study and a methodology proposal.
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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