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Cited by

• 1999Patriotism or Nationalism? Fauré and the Great War49 cited
• 2007Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912)27 cited
• 2004Twentieth-Century Chamber Music26 cited
• 1999Ravel's "Russian" Period: Octatonicism in His Early Works, 1893-190817 cited
• 1999The Composer as Intellectual: Ideological Inscriptions in French Interwar Neoclassicism17 cited
• 2008Man as Beast: Nijinsky's Faun15 cited
• 2006Vincent D’Indy and the Development of the French Symphony11 cited
• 2020Performing Knowledge11 cited
• 2002Powers of Blackness: Africanist Discourse in Modern Concert Music9 cited
• 1994Men with a Past: Music and the "Anxiety of Influence"7 cited
• 2011Editorial Challenges in the Early Songs of Gabriel Fauré6 cited
• 2011Ima Hogg and an Experiment in Audience Education: The Rice Lectureship in Music (1923–33)5 cited
• 2011Ravel and 'The Raven': The Realisation of an Inherited Aesthetic in Bolero5 cited
• 2023Radically Inconspicuous Absence: Truncated Sonata Forms in Interwar Paris2 cited
• 2016