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Is music becoming more visual? Online video content in the music industry
16 references·13 citing·34 second hop
Is music becoming more visual? Online video content in the music industry (2011)Is music becoming more visual? Online vid…The Wealth of Networks (2017)The Wealth of NetworksThe economy of live music in the digital age (2010)The economy of live music in …Media Events in a Global Age (2009)Media Events in a Global AgeLiveness: performance in a mediatized culture (2008)Liveness: performance in a me…Genre in Popular Music (2007)Genre in Popular MusicBrands: Meaning and Value in Media Culture (2006)Brands: Meaning and Value in …Brands (2006)BrandsExperiencing Music Video: Aesthetics and Cultural Context (2004)Experiencing Music Video: Aes…Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Brands (2004)BrandsThe Audible Past (2003)The Audible PastSound of Africa! (2003)Sound of Africa!Sound of Africa! Making Music Zulu in a South African Studio (2003)Sound of Africa! Making Music…The tyranny of light (1997)The tyranny of lightSound and vision: the music video reader (1994)Sound and vision: the music v…Overtones and Undertones (1994)Overtones and UndertonesThe effects of concert formats on classical concertgoers (2025)The effects of concert format…Video musical y nueva lógica en la ecología de los medios: extensión del formato hacia el álbum visual (2023)Video musical y nueva lógica …La plateforme et le patrimoine : une enquête sur les valeurs des vidéos de concerts sur YouTube (2022)La plateforme et le patrimoin…La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique (2022)La captation et ses paradoxes…“The social and cultural dimension of ‘platforming’ live music : the case of the Hong Kong independent music scene during the Covid-19 pandemic” (2022)“The social and cultural dime…Soundtrack for love: wedding videography, music and romantic memory (2019)Soundtrack for love: wedding …Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening (2019)Sharing songs on Hirakata Squ…¡Soy músico youtuber! Construcción de la identidad artística a través del cover y la ficción. El caso de las violinistas Taylor Davis y Lindsey Stirling (2019)¡Soy músico youtuber! Constru…Increasingly sexy? Sexuality and sexual objectification in popular music videos, 1995–2016. (2018)Increasingly sexy? Sexuality …The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues (2016)The “Toilet Circuit”: Cultura…El videoclip postelevisivo actual. Propuesta metodológica y análisis estético (2016)El videoclip postelevisivo ac…Bringing the banjo back to life: The field of Dutch independent folk music as participatory culture (2016)Bringing the banjo back to li…Social Media and Marketing of the “Popcorn” Music Wave: the Success of Romanian Commercial Musicians Analysed Through Their Perceived Image on Facebook and YouTube (2012)Social Media and Marketing of…Gifts and Exchanges (1982)Governing the Commons: The Evolution of Institutions for Collective Action (1992)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)The politics of ‘platforms’ (2010)Big other: Surveillance Capitalism and the Prospects of an Information Civilization (2015)Filter Bubbles, Echo Chambers, and Online News Consumption (2016)The Presentation of Self in Everyday Life. (1956)The consequences of modernity (1990)Risk Society, Towards a New Modernity (1994)The Tyranny of Transparency (2000)Do We Really Understand Tacit Knowledge? (2004)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Repercussion and resistance. An empirical study on the interrelation between science and mass media (2010)RE-MEDIATION, INTER-MEDIATION, TRANS-MEDIATION (2012)Dual Screening the Political: Media Events, Social Media, and Citizen Engagement (2015)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Relevance of Algorithms (2014)Digitalization (2016)“Where My Girls At?” (2002)“Check On It” (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Race and the Yugoslav region (2018)A New Algorithmic Identity (2011)A Stupidity‐Based Theory of Organizations (2012)The Coming of Age of the Prosumer (2012)Brands (2005)`Meat, Mask, Burden` (2008)Rethinking the place brand: the interactive formation of place brands and the role of participatory place branding (2015)The value of value: Further excursions on the meaning and role of customer value (2011)Scale: Discourse and Dimensions of Social Life (2016)
this work references cited by second hop

References

  • 2017The Wealth of Networks3,683 cited
  • 2003The Audible Past1,821 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2004Brands587 cited
  • 2006Brands507 cited
  • 2006Brands: Meaning and Value in Media Culture474 cited
  • 1997The tyranny of light391 cited
  • 2009Media Events in a Global Age331 cited
  • 1994Sound and vision: the music video reader298 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2003Sound of Africa!275 cited
  • 2007Genre in Popular Music262 cited
  • 1994Overtones and Undertones228 cited
  • 2003Sound of Africa! Making Music Zulu in a South African Studio186 cited
  • 2010The economy of live music in the digital age167 cited
  • 2004Experiencing Music Video: Aesthetics and Cultural Context167 cited

Cited by

  • 2016El videoclip postelevisivo actual. Propuesta metodológica y análisis estético

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32 cited
  • 2018Increasingly sexy? Sexuality and sexual objectification in popular music videos, 1995–2016.29 cited
  • 2012Social Media and Marketing of the “Popcorn” Music Wave: the Success of Romanian Commercial Musicians Analysed Through Their Perceived Image on Facebook and YouTube12 cited
  • 2022“The social and cultural dimension of ‘platforming’ live music : the case of the Hong Kong independent music scene during the Covid-19 pandemic”11 cited
  • 2019Sharing songs on Hirakata Square: On playlists and place attachment in contemporary music listening9 cited
  • 2016The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues7 cited
  • 2025The effects of concert formats on classical concertgoers5 cited
  • 2019¡Soy músico youtuber! Construcción de la identidad artística a través del cover y la ficción. El caso de las violinistas Taylor Davis y Lindsey Stirling5 cited
  • 2022La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique4 cited
  • 2023Video musical y nueva lógica en la ecología de los medios: extensión del formato hacia el álbum visual4 cited
  • 2019Soundtrack for love: wedding videography, music and romantic memory4 cited
  • 2022La plateforme et le patrimoine : une enquête sur les valeurs des vidéos de concerts sur YouTube4 cited
  • 2016Bringing the banjo back to life: The field of Dutch independent folk music as participatory culture3 cited