The Reel Arthur: Politics and Truth Claims in Camelot, Excalibur , and King Arthur

Roberta Davidson

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Medieval Literature and History Cinema History and Criticism Shakespeare, Adaptation, and Literary Criticism

Abstract

Filmmakers use King Arthur as a platform for their own agendas and as a figure of hope. Examination of three works reveals a range of implicit and explicit politics.

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References

1955The Works of Sir Thomas Malory 1995From Scythia to Camelot: a radical reassessment of the legends of King Arthur, the Knights of the Round Table, and the Holy Grail 2000King Arthur on film: new essays on Arthurian cinema 1995"Not Exactly a Knight": Arthurian Narrative and Recuperative Politics in the "Indiana Jones" Trilogy 1992Cinema Arthuriana: essays on Arthurian film 1978The Street Where I Live

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