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How Race Is Made: Slavery, Segregation, and the Senses
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Cited by

  • 2013Soundscapes of the Urban Past52 cited
  • 2010Human Bondage in the Cultural Contact Zone. Transdisciplinary Perspectives on Slavery and Its Discourses47 cited
  • 2013Soundscapes of the Urban Past : Staged Sound as Mediated Cultural Heritage41 cited
  • 2022Biometric imaginaries: Formatting voice, body, identity to data26 cited
  • 2007Race-Class-Gender Theory: An Image(ry) Problem25 cited
  • 2020Art Scents22 cited
  • 2014The Feeling of Photography, the Feeling of Kinship16 cited
  • 2014Female barrenness, bodily access and aromatic treatments in seventeenth-century England14 cited
  • 2019Sensing others: Empty buildings and sensory worlds in Detroit6 cited
  • 2020The Fat Imaginary in Trump's America4 cited
  • 2025Researching urban diversity and the (re-)production of whiteness: reflections on the purchase and challenges of sensory methods3 cited
  • 2021Kingscote’s Dining Room and the Multisensorial Interior in the Late Nineteenth Century1 cited

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