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Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950.
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  • 1997From the Kaleidoscope to the X-Ray: Urban Spectatorship, Poe, Benjamin, and Traffic in Souls (1913)94 cited
  • 2014Photographing Objects as Queer Archival Practice68 cited
  • 2023Distant Viewing33 cited
  • 1997Visualizing “the people”: Individualism vs. collectivism in let us now praise famous men33 cited
  • 2008Documentary Photography in American Social Welfare History: 1897-194328 cited
  • 2007ETHNOGRAPHY AND EXHIBITION28 cited
  • 1998Melodrama, Realism, and Race: World War II Newsreels and Propaganda Film27 cited
  • 2011PHOTOGRAPHY, OBJECTIVITY AND THE MODERN NEWSPAPER21 cited
  • 2010The experience of photologging: global mechanisms and local interactions20 cited
  • 2012Eugenics Visualized: The Exhibit of the Third International Congress of Eugenics, 193218 cited
  • 2011Real Folks18 cited
  • 2012Real folks: race and genre in the Great Depression17 cited
  • 2014The Feeling of Photography, the Feeling of Kinship16 cited
  • 2014Photography between Desire and Grief15 cited
  • 2007American Histories of Photography10 cited

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  • 2014Accessible Feelings, Modern Looks10 cited