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Cited by

• 1978The New Poet Presents Himself: Spenser and the Idea of a Literary Career26 cited
• 1970Renaissance Concepts of Justice and the Structure of "The Faerie Queene," Book V18 cited
• 1968Britomart in Book V of The Faerie Queene16 cited
• 1977Spenser's Eighteenth-Century Readers and the Question of Unity in The Faerie Queene14 cited
• 1982‘God’ as structure in Spenser's Garden of Adonis12 cited
• 2011Spenser And Religion—Yet Again12 cited
• 2000Shadowing Intervention: On the Politics of The Faerie Queene Book 5 Cantos 10-1212 cited
• 1997Waiting for Hymen: Literary History as "Symptom" in Spenser and Milton8 cited
• 2011The Limitations of Concord in the Thames-Medway Marriage Canto of The Faerie Queene6 cited
• 2011Spenser's Redcrosse Knight and the Order of Salvation5 cited
• 2012Spenser’s Unarmed Cupid and the Experience of the 1590 Faerie Queene4 cited
• 2006The Augustinian epic: Petrarch to Milton4 cited
• 2015Anti-Court Satire, Religious Polemic, and the Many Faces of Antichrist: An Intertextual Reading of Donne’s “Satyre 4” and Spenser’s Faerie Queene2 cited