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Contesting the digital economy and culture: digital technologies and the transformation of popular music in Korea
16 references·16 citing·38 second hopsampled
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References

  • 2004The wisdom of crowds: why the many are smarter than the few and how collective wisdom shapes business, economies, societies and nations2,925 cited
  • 2004Free culture: how big media uses technology and the law to lock down culture and control creativity1,427 cited
  • 2005Knowing Capitalism890 cited
  • 2005From cultural to creative industries833 cited
  • 2000The Age of Access: The New Culture of Hypercapitalism Where All of Life Is a Paid-For Experience822 cited
  • 1999Digital capitalism: networking the global market system670 cited
  • 1999Digital Capitalism640 cited
  • 2002THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION493 cited
  • 2005No Dead Air! The iPod and the Culture of Mobile Listening384 cited
  • 1997Popular music in theory: an introduction327 cited
  • 2005Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity242 cited
  • 2009Information and Communication Technologies and Society227 cited
  • 2000Emancipation, the Media, and Modernity206 cited
  • 2000Emancipation, the media, and modernity : arguments about the media and social theory185 cited
  • 2002MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES

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157 cited
  • 2005On the reproduction of the musical economy after the Internet145 cited
  • Cited by

    • 2013Korean Dramas and Films: Key Factors for Their International Competitiveness44 cited
    • 2012Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music41 cited
    • 2019Digital content promotion in Japan and South Korea: Government strategies for an emerging economic sector35 cited
    • 2011Korean Cosmetic Surgery and Digital Publicity: Beauty by Korean Design19 cited
    • 2015The South Korean Music Industry: A Literature Review16 cited
    • 2013The cyberlocker gold rush: Tracking the rise of file-hosting sites as media distribution platforms16 cited
    • 2024From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry15 cited
    • 2021The Evolving Communicative Value of Popular Music: Music Is Interpersonal Communication in the Age of Digital Media15 cited
    • 2017Construction of digital Korea: the evolution of new communication technologies in the 21st century15 cited
    • 2016How consumers contribute to the development and continuity of a cultural market14 cited
    • 2012The success of hopelessness13 cited
    • 2015Future cities and self-organising value chains: the case of the independent music community in Seoul12 cited
    • 2013Co-Creating Korean Wave in Southeast Asia12 cited
    • 2023Emotional Resonance and Identity Recognition in Chinese Late Adolescent Digital Music Consumption10 cited
    • 2017Understanding the Potential for a Hallyu “Backlash” in Southeast Asia: A Case Study of Consumers in Thailand, Malaysia and Philippines10 cited
    • 2019Nation-states, transnational corporations and cosmopolitans in the global popular music economy6 cited