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‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
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‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music (2005)‘Tonality, Clarity, Strength’: Gesture, F…39. Back to Whom? Neoclassicism as Ideology (2019)39. Back to Whom? Neoclassici…Organicism, Form and Structural Decay: Nielsen’s Second Violin Sonata (2002)Organicism, Form and Structur…Modernism and Closure: Nielsen's Fifth Symphony (2002)Modernism and Closure: Nielse…Reger's Bach and Historicist Modernism (2001)Reger's Bach and Historicist …Grainger on music (1999)Grainger on musicThe Subjectivities of 'Erbarme Dich' (1997)The Subjectivities of 'Erbarm…The Cambridge Companion to Bach (1997)The Cambridge Companion to Ba…Nielsen: Symphony No. 5 (1997)Nielsen: Symphony No. 5Neoclassic and Anachronistic Impulses in Twentieth-Century Music (1996)Neoclassic and Anachronistic …Neoclassicism in music: from the genesis of the concept through the Schoenberg/Stravinsky polemic (1988)Neoclassicism in music: from …Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Towards a New Poetics of Musical Influence (1991)The Music of Louis Andriessen (2007)Tonality as Topic (2017)The German Conception of History: The National Tradition of Historical Thought from Herder to the Present (1986)Mimesis: The Representation of Reality in Western Literature (1953)Gender Trouble: Feminism and the Subversion of Identity (1991)Analysis as Interpretation: Interaction, Intentionality, Invention (2006)S ubjectivity and the C onstruction of E motion in the M usic of B jörk (2006)'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances (2007)The New Percy Grainger Companion (2011)Outside Ravel's Tomb (1999)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)The Fascist Turn in the Dance of Serge Lifar (2020)“Cinematic” Music: Analogies, Fallacies, and the Case of Debussy (2010)Bach and the Chaconne (1999)Choral culture and the regeneration of the organ (2001)Music, Modernity, and God (2013)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)Stravinsky y la constelacion ideologica argentina en 1936 (2005)Innovation and the avant-garde, 1900–20 (2004)'Our true north': Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England (2008)The Cambridge Companion to the Symphony (2013)
this work references cited by second hop

References

  • 1968Fundamentals of Musical Composition457 cited
  • 1988Neoclassicism in music: from the genesis of the concept through the Schoenberg/Stravinsky polemic186 cited
  • 1997The Subjectivities of 'Erbarme Dich'127 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music107 cited
  • 1997The Cambridge Companion to Bach85 cited
  • 201939. Back to Whom? Neoclassicism as Ideology49 cited
  • 1997Nielsen: Symphony No. 532 cited
  • 2002Modernism and Closure: Nielsen's Fifth Symphony11 cited
  • 1999Grainger on music11 cited
  • 2001Reger's Bach and Historicist Modernism9 cited
  • 2002Organicism, Form and Structural Decay: Nielsen’s Second Violin Sonata7 cited

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