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This essay is an investigation into the immersive cultural consciousness that emerges from an immersive “optic” central to virtual reality. There seems to be a correlation between immersive ideals and desires for extrasensory, distributed disembodiment, meaning a loss of cognitive body-image involving the expansion of boundaries. Immersive art fulfills the prosthetic task of artificially facilitating such an unrestricted state. The desire to exist in an anti-mechanistic state of expansion is temporarily and symbolically realized in engaging immersive art. In virtual immersion, conventional optic models may be surpassed.
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Stored only when both papers are in the corpus — 18 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.