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Qu’est-ce qu’une culture locale ? La pratique et l’expression du black metal à Taïwan
14 references·0 citing·34 second hop
Qu’est-ce qu’une culture locale ? La pratique et l’expression du black metal à Taïwan (2006)Qu’est-ce qu’une culture locale ? La prat…Music Scenes: Local, Translocal, and Virtual (2011)Music Scenes: Local, Transloc…Pour une approche musicologique du black metal (2005)Pour une approche musicologiq…New Tales from Canterbury: (2004)New Tales from Canterbury:New tales from Canterbury: the making of a virtual scene (2004)New tales from Canterbury: th…Music Scenes (2004)Music ScenesKate Bush: (2004)Kate Bush:Internet-based Virtual Music Scenes: (2004)Internet-based Virtual Music …Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene (2003)Gesturing elsewhere: the iden…Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (2002)Metal, Rock, and Jazz: Percep…“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene (2002)“I hate this fucking country”…'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)'Roots'?: the relationship \n…Lords of Chaos (1998)Lords of ChaosRunning with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Toward the Remodeling of Ethnomusicology (1987)Toward the Remodeling of Ethn…Outline of a Theory of Practice. (1980)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Bowling Alone: America's Declining Social Capital (1995)Authentic Identities (2006)Soundscapes: Toward a Sounded Anthropology (2010)I Was a Teenage Vegan: Motivation and Maintenance of Lifestyle Movements (2014)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Consolidating the music scenes perspective (2004)World music: deterritorializing place and identity (2004)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)Communication, Music, and Speech about Music (1984)The State of Research on Performance in Africa (1991)Toward an Ethnomusicology of the Early Music Movement: Thoughts on Bridging Disciplines and Musical Worlds (2001)Cultural evolution of music (2019)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Performing ethnography: Irish traditional music sessions and new methodological spaces (2005)The Relevance of Husserl's Theory to Language Socialization (2009)Husserl, intersubjectivity and anthropology (2010)The Price of Rebellion: Gender Boundaries in the Death Metal Scene (2011)Un(su)Stained Class? (2016)Varieties of neo-colonialism: Government accounting reforms in Anglophone and Francophone Africa – Benin and Ghana compared (2019)Vedic metal and the South Indian community in Singapore: problems and prospects of identity (2009)'I want you to support local metal': A theory of metal scene formation (2012)Hellfest: The thing that should not be? (2012)Sigur Rós's Heima: An Icelandic Psychogeography (2009)Fragile scenes, fractured communities: Tunisian Metal and sceneness (2015)Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign (2018)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)Scenes and sexualities: Queerly reframing the music scenes perspective (2012)‘A real show for mature women’ ageing along with ageing stars:Grace and Frankiefandom on Facebook (2018)Introduction: ageing celebrities, ageing fans, and ageing narratives in popular media culture (2018)
this work references cited by second hop

References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2004Music Scenes437 cited
  • 2011Music Scenes: Local, Translocal, and Virtual229 cited
  • 2000'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene195 cited
  • 2002Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience115 cited
  • 1987Toward the Remodeling of Ethnomusicology105 cited
  • 2003Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene69 cited
  • 2004Kate Bush:35 cited
  • 2004New Tales from Canterbury:24 cited
  • 2002“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene22 cited
  • 2004Internet-based Virtual Music Scenes:22 cited
  • 2004New tales from Canterbury: the making of a virtual scene17 cited
  • 1998Lords of Chaos8 cited
  • 2005Pour une approche musicologique du black metal6 cited

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