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Tramps like Us: Music and Meaning among Springsteen Fans
0 references·16 citing·49 second hop
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Cited by

  • 2004Celebrity Politicians: Popular Culture and Political Representation629 cited
  • 2008Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred256 cited
  • 2005What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival151 cited
  • 2013Making Monsters: Lady Gaga, Fan Identification, and Social Media141 cited
  • 2012Patterns of listening through social media: online fan engagement with the live music experience132 cited
  • 2010Geschichte der Fans105 cited
  • 2010Fans in theoretischer Perspektive104 cited
  • 2010Fans und alltägliche Lebensführung103 cited
  • 2015‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies98 cited
  • 2008Towards a cultural sociology of popular music77 cited
  • 2006Self‐empowerment and consumption75 cited
  • 2007Loyalty and Longevity in Audience Listening: Investigating Experiences of Attendance at a Chamber Music Festival62 cited
  • 2004The Effects of Piracy Upon the Music Industry: a Case Study of Bootlegging58 cited
  • 2020“You Can’t Help But Love Them”: BTS, Transcultural Fandom, and Affective Identities54 cited

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2003
For and against the record industry: an introduction to bootleg collectors and tape traders
48 cited
  • 2007Everywhere and nowhere42 cited