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From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet
2 references·1 citing·11 second hop
From Invention to Interpretation: The Prologues of the First Court Operas Where Oral and Written Cultures Meet (2003)From Invention to Interpretation: The Pro…“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater (2002)“Imitar col canto chi parla”:…Glorious Apollo: Poetic and Political Themes in the First Opera (1979)Glorious Apollo: Poetic and P…Power and display: music in court theatre (2005)Power and display: music in c…Storia dell' Arte Italiana (1936)Bernini's Elephant and Obelisk (1947)Theatre Festivals of the Medici, 1539-1637 (1964)Orpheus, Ovid and Opera (1988)‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice (1991)Music and Theatre from Poliziano to Monteverdi (1982)Art and Power: Renaissance Festivals 1450-1650 (1986)Music in the Seventeenth Century (1987)Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera (2003)Gesture in Musical Declamation: An Intercultural Approach (2017)Reimagine to Revitalise (2021)
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References

  • 2002“Imitar col canto chi parla”: Monteverdi and the Creation of a Language for Musical Theater18 cited
  • 1979Glorious Apollo: Poetic and Political Themes in the First Opera12 cited

Cited by

  • 2005Power and display: music in court theatre4 cited

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