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Gardens are created by transforming principally unmodified environmental objects into signs and organizing these into texts. This article examines the compositional arrangements of the Ryôan-ji Zen garden as it constitutes a distinctive medium of communication and a way for complex philosophical perceptions and religious ideals to become tangible in topographical text form.
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Stored only when both papers are in the corpus — 11 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.