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The following essay discusses Cormac McCarthy's The Road (2006) and its evocation of a post-apocalyptic ecology and memory. Drawing on certain insights from Robert Pogue Harrison's work on the cultural role of forests, gardens and the dead ancestor, it sheds light on various enigmatic aspects of McCarthy's novel, including the unspecified cause of the disaster, the future fate of nature and culture, and the elusive final paragraph.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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