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Learning to Listen: audiences for chamber music in early-Victorian London
10 references·14 citing·36 second hop
Learning to Listen: audiences for chamber music in early-Victorian London (1999)Learning to Listen: audiences for chamber…Beethoven and his Nine Symphonies (2014)Beethoven and his Nine Sympho…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The Pleasures of the Imagination: English Culture in the Eighteenth Century (1998)The Pleasures of the Imaginat…Listening in Paris: A Cultural History. (1995)Listening in Paris: A Cultura…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Listening through Reading: Musical Literacy and the Concert Audience (1992)Listening through Reading: Mu…Music and image: domesticity, ideology and socio-cultural formation in eighteenth-century England (1989)Music and image: domesticity,…The New Grove Dictionary of Music and Musicians (1981)The New Grove Dictionary of M…Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)Music and the Middle Class: T…The Mirror of Music. 1844-1944. A Century of Musical Life in Britain as Reflected in the Pages of the Musical Times (1948)The Mirror of Music. 1844-194…Charles Dibdin and Late Georgian Culture (2018)Charles Dibdin and Late Georg…Writing about America (2012)Writing about AmericaVictorian reading (2012)Victorian readingThe Cambridge History of Victorian Literature (2012)The Cambridge History of Vict…Publishing and the materiality of the book (2012)Publishing and the materialit…‘The annihilation of space and time’: literature and technology (2012)‘The annihilation of space an…Listening and tourism studies (2010)Listening and tourism studiesAnalysing musical culture in nineteenth-century Europe: towards a musical turn? (2010)Analysing musical culture in …Listening: Dante Gabriel Rossetti and the Persistence of Song (2009)Listening: Dante Gabriel Ross…Writing (British) Concert History: The Blessing and Curse of Ephemera (2008)Writing (British) Concert His…Ladies in the Wheatstone Ledgers: The Gendered Concertina in Victorian England, 1835–1870 (2006)Ladies in the Wheatstone Ledg…Redefining the Status of Opera: London and Leipzig, 1800–1848 (2005)Redefining the Status of Oper…Henry Wood, the ?Proms,? and National Identity in Music, 1895-1904 (2005)Henry Wood, the ?Proms,? and …Performing the (Sound)World (2000)Performing the (Sound)WorldRethinking authenticity in tourism experience (1999)Music in Everyday Life (2000)After Method: Mess in Social Science Research (2004)The role of geo-based technology in place experiences (2011)Rethinking the consumption of places (2012)The role of natural soundscape in nature-based tourism experience: an extension of the stimulus–organism–response model (2020)The Piano (1990)Music and Discourse: Toward a Semiology of Music (1991)A. B. Marx, Berlin Concert Life, and German National Identity (1994)The Other Beethoven: Heroism, the Canon, and the Works of 1813–14 (2003)The Schenker Project (2007)Noise: The Political Economy of Music (1986)Social Formation and Symbolic Landscape (1986)Questions of Cultural Identity (1997)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)A sonic geography of voice (2011)Sonic geographies (2013)Carnivals for elites? The cultural politics of arts festivals (1998)The Total Work of Art in European Modernism (2011)Classical and Romantic Performing Practice (2025)Gender and the Public/Private Distinction in the Eighteenth Century: Some Questions about Evidence and Analytic Procedure (1995)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The Professionalization of Women Writers in Eighteenth-Century Britain (2005)Space-form and the acousmatic image (2007)The Anthropology of Texts, Persons and Publics (2007)The Cambridge Urban History of Britain (2000)Urban growth and economic change: from the late seventeenth century to 1841 (2000)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Music Lovers (2001)After Adorno : rethinking music sociology (2003)Soundscapes: Toward a Sounded Anthropology (2010)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1998The Pleasures of the Imagination: English Culture in the Eighteenth Century498 cited
  • 1995Listening in Paris: A Cultural History.329 cited
  • 1992Listening through Reading: Musical Literacy and the Concert Audience180 cited
  • 1976Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna177 cited
  • 1989Music and image: domesticity, ideology and socio-cultural formation in eighteenth-century England91 cited
  • 2014Beethoven and his Nine Symphonies76 cited
  • 1948The Mirror of Music. 1844-1944. A Century of Musical Life in Britain as Reflected in the Pages of the Musical Times70 cited

Cited by

  • 2000Performing the (Sound)World183 cited
  • 2010Listening and tourism studies121 cited
  • 2018Charles Dibdin and Late Georgian Culture37 cited
  • 2005Redefining the Status of Opera: London and Leipzig, 1800–184826 cited
  • 2012‘The annihilation of space and time’: literature and technology

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25 cited
  • 2009Listening: Dante Gabriel Rossetti and the Persistence of Song25 cited
  • 2012Writing about America22 cited
  • 2012Publishing and the materiality of the book17 cited
  • 2012The Cambridge History of Victorian Literature17 cited
  • 2012Victorian reading16 cited
  • 2008Writing (British) Concert History: The Blessing and Curse of Ephemera13 cited
  • 2010Analysing musical culture in nineteenth-century Europe: towards a musical turn?6 cited
  • 2006Ladies in the Wheatstone Ledgers: The Gendered Concertina in Victorian England, 1835–18705 cited
  • 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited