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Musical Autobiographies: An Introduction
6 references·3 citing·33 second hop
Musical Autobiographies: An Introduction (2015)Musical Autobiographies: An IntroductionThe Metareferential Turn in Contemporary Arts and Media (2011)The Metareferential Turn in C…Reading Autobiography: A Guide for Interpreting Life Narratives (2003)Reading Autobiography: A Guid…How Our Lives Become Stories (1999)How Our Lives Become StoriesRecycled "Trash": Gender and Authenticity in Country Music Autobiography (1998)Recycled "Trash": Gender and …Performativity, Autobiographical Practice, Resistance (1995)Performativity, Autobiographi…Autobiographics: a feminist theory of women's self-representation (1994)Autobiographics: a feminist t…Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen (2021)Born to Run : The Transmedia …Aging and Popular Music (2020)Aging and Popular MusicBrilliant Disguises: Persona, Autobiography and the Magic of Retrospection in Bruce Springsteen’s Late Career (2019)Brilliant Disguises: Persona,…Gender Trouble: Feminism and the Subversion of Identity (1991)Imagined communities: Reflections on the origin and spread of nationalism (1995)Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Yung Wing (2003)Reconsidering Rap's “I”: Eminem's Autobiographical Postures and the Construction of Identity Authenticity (2008)Self-Regarding Art (2008)Feminists Theorize the Political (2013)The Politics and Poetics of Transgression (1988)Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Bodies That Matter (2011)“Between Jennings and Jones”: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy (2012)Yo, DJ, That's My Brand: An Examination of Consumer Response to Brand Placements in Hip-Hop Music (2014)Amplifying the Text: Paratext in Popular Musicians' Autobiographies (2015)Lenin and Philosophy and Other Essays (1971)Reassembling the Social (2005)Reassembling the social: An introduction to actor‐network‐theory (2008)Dancing in the distraction factory: music television and popular culture (1993)Authenticity as authentication (2002)Reading autobiography: a guide for interpreting life narratives (2011)Music in Everyday Life (2000)Subcultures, Scenes or Tribes? None of the Above (2005)Heavy Metal: The Music And Its Culture (2009)Autobiographical Understanding and Narrative Inquiry (2007)‘It cuts both ways’: A relational approach to access and accommodation for autism (2009)Sink or swim: Adversity- and growth-related experiences in Olympic swimming champions (2014)Revolutionary pedagogies : cultural politics, instituting education, and the discourse of theory (2000)Postfeminism, Neoliberalism and A ‘Successfully’ Balanced Femininity in Celebrity CEO Autobiographies (2016)‘Female Heroes’: Celebrity Executives as Postfeminist Role Models (2018)Abstract (2003)English (2006)Ethics in Autoethnography and Collaborative Autoethnography (2017)Transmedial Narratology Revisited: On the Intersubjective Construction of Storyworlds and the Problem of Representational Correspondence in Films, Comics, and Video Games (2017)Literature Review on Intermedial Studies: From Analogue to Digital (2023)Reflexivity in French Rap (2026)
this work references cited by second hop

References

  • 2003Reading Autobiography: A Guide for Interpreting Life Narratives867 cited
  • 1999How Our Lives Become Stories739 cited
  • 1994Autobiographics: a feminist theory of women's self-representation283 cited
  • 1995Performativity, Autobiographical Practice, Resistance203 cited
  • 2011The Metareferential Turn in Contemporary Arts and Media57 cited
  • 1998Recycled "Trash": Gender and Authenticity in Country Music Autobiography35 cited

Cited by

  • 2019Brilliant Disguises: Persona, Autobiography and the Magic of Retrospection in Bruce Springsteen’s Late Career14 cited
  • 2020Aging and Popular Music3 cited
  • 2021Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen2 cited

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