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Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito)
13 references·1 citing·27 second hop
Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito) (1998)Mozart's art of rhetoric: understanding a…Wolfgang Amadè Mozart (1996)Wolfgang Amadè MozartTONAL ORGANIZATION IN ‘BUFFO’ FINALES AND THE ACT II FINALE OF ‘LE NOZZE DI FIGARO’ (1991)TONAL ORGANIZATION IN ‘BUFFO’…The analysis of Mozart's arias (1991)The analysis of Mozart's ariasOpera talk: A philosophical ‘phantasie’ (1991)Opera talk: A philosophical ‘…MOZART AND HIS SINGERS: Mozart's Belmonte (1991)MOZART AND HIS SINGERS: Mozar…‘Ich bin die erste Sängerin’ Vocal profiles of two Mozart sopranos (1991)‘Ich bin die erste Sängerin’ …Music and Discourse (1990)Music and DiscourseMozart's operas and the myth of musical unity (1990)Mozart's operas and the myth …W.A. Mozart, Le nozze di Figaro (1988)W.A. Mozart, Le nozze di Figa…Opera: The Extravagant Art (1986)Opera: The Extravagant ArtRhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1983)Rhythmic Gesture in Mozart: L…W.A. Mozart, Don Giovanni (1981)W.A. Mozart, Don GiovanniOpera as drama (1956)Opera as dramaRecognition in Mozart's Operas (2006)Recognition in Mozart's OperasThe Living Work: Organicism and Musical Analysis (1980)The Emancipation of Music From Language: Departure From Mimesis in Eighteenth-Century Aesthetics. (1987)The Idea of Absolute Music (1991)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)The Principles of Art (1939)Operatic ambiguities and the power of music (1992)Speech, Song, and The Transparency of Medium: A Note on Operatic Metaphysics (1994)Persona and Voice in the Kinks' Songs of the Late 1960s (2003)Mozart's Fiordiligi: Adriana Ferrarese del Bene (1996)Divas and Divos (2015)Myths and realities about tonal planning in Mozart's operas (1996)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Theorizing Sound Writing (2017)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)Wagner's Ring Cycle and the Greeks (2010)When Opera Meets Film (2010)Political Representation and the Chorus in Nineteenth-Century Opera (1992)Magnificence in motion: Stage musicians in Lully's ballets and operas (1994)Opera in the Novel from Balzac to Proust (2011)The Musical Cultures of Children (2002)The Tristan Chord Resolved (2009)Understanding the leitmotif: from Wagner to Hollywood film music (2016)The buffa aria in Mozart's Vienna (1990)Varieties of Musical Irony: From Mozart to Mahler (2017)
this work references cited by second hop

References

  • 1983Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni299 cited
  • 1956Opera as drama113 cited
  • 1990Music and Discourse62 cited
  • 1986Opera: The Extravagant Art58 cited
  • 1990Mozart's operas and the myth of musical unity43 cited
  • 1991‘Ich bin die erste Sängerin’ Vocal profiles of two Mozart sopranos32 cited
  • 1988W.A. Mozart, Le nozze di Figaro26 cited
  • 1996Wolfgang Amadè Mozart21 cited
  • 1991TONAL ORGANIZATION IN ‘BUFFO’ FINALES AND THE ACT II FINALE OF ‘LE NOZZE DI FIGARO’19 cited
  • 1991Opera talk: A philosophical ‘phantasie’18 cited
  • 1991The analysis of Mozart's arias18 cited
  • 1991MOZART AND HIS SINGERS: Mozart's Belmonte17 cited
  • 1981W.A. Mozart, Don Giovanni16 cited

Cited by

  • 2006Recognition in Mozart's Operas12 cited

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