Violin Intonation in the 18th Century

Abstract

THE SPLENDID ARTICLE by David D. Boyden in the Fall, 1951, issue of the JOURNAL1 took me back to the summer of 1930. In connection with a seminar report at the University of Berlin, Abe Pepinsky had asked me to examine a Geminiani fingering chart, evidently Boyden's No. 4. He quickly marked off the points of division for the lower octave, along the fold of a scrap of paper. I did the same for another Gemini-

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