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Musical Syntax in the Sonatas of Debussy: Phrase Structure and Formal Function
9 references·2 citing·32 second hop
Musical Syntax in the Sonatas of Debussy: Phrase Structure and Formal Function (2005)Musical Syntax in the Sonatas of Debussy:…Linguistics and Semiotics in Music (2014)Linguistics and Semiotics in …Debussy's Late Style and the Devices of the Early Silent Cinema (2001)Debussy's Late Style and the …Musical Composition in the Twentieth Century (2000)Musical Composition in the Tw…Tonality and Form in Debussy's "Prélude à 'L'Après-midi d'un faune" (1993)Tonality and Form in Debussy'…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicForm in Tonal Music: An Introduction to Analysis (1979)Form in Tonal Music: An Intro…The Symbolist Movement: A Critical Appraisal (1971)The Symbolist Movement: A Cri…Twentieth Century Music (1948)Twentieth Century MusicCours de composition musicale (1909)Cours de composition musicaleA Voicing-Based Model for Additive Harmony (2017)A Voicing-Based Model for Add…Debussy the Man, His Music, and His Legacy: An Overview of Current Research (2012)Debussy the Man, His Music, a…In Search of Opera (2002)The Cambridge Companion to Debussy (2003)Musical exoticism: images and reflections (2009)It’s My Party (2024)Claude Debussy: His Life and Works (1933)College Music Symposium (1962)The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations" (1986)Spatial and Psychoacoustic Factors in Atonal Prolongation (1997)Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music (2004)The Cadenza as Parenthesis (2006)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Life to those shadows (1990)Pyramids at the Louvre (1994)Debussy: The Origins of a Method (2004)Finding Untitled Goose Game ’s Dynamic Music in the World of Silent Cinema (2021)Mixture Strategies (2022)Chopin's Fourth Ballade as Musical Narrative (2004)Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence (2012)The Half Cadence and Other Such Slippery Events (2014)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Classical Cadence: Conceptions and Misconceptions (2004)The Sources of Schoenberg's "Aesthetic Theology" (1996)Music Theatre and Presence in Some Works of György Kurtág (2002)The Macroform in Post-Tonalmusic. Listening and Analysis (2003)The formation of Soviet cultural theory of music (1917–1948) (2020)Francesco Galeazzi's Description (1796) of Sonata Form (1968)Paris: Conflicting Notions of Progress (1991)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Edward Elgar, Modernist (2006)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)
this work references cited by second hop

References

  • 1991Phrase Rhythm in Tonal Music479 cited
  • 2000Musical Composition in the Twentieth Century145 cited
  • 1909Cours de composition musicale122 cited
  • 1979Form in Tonal Music: An Introduction to Analysis103 cited
  • 1971The Symbolist Movement: A Critical Appraisal55 cited
  • 2014Linguistics and Semiotics in Music32 cited
  • 1993Tonality and Form in Debussy's "Prélude à 'L'Après-midi d'un faune"26 cited
  • 2001Debussy's Late Style and the Devices of the Early Silent Cinema23 cited
  • 1948Twentieth Century Music11 cited

Cited by

  • 2012Debussy the Man, His Music, and His Legacy: An Overview of Current Research9 cited
  • 2017A Voicing-Based Model for Additive Harmony5 cited

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