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The Artist as Anthropologist: The Representation of Type and Character in Victorian Art
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  • 2004Displaying Sara Baartman, the ‘Hottentot Venus’247 cited
  • 2007The Archaeology of Improvement in Britain, 1750–1850167 cited
  • 1991The moral discourse of climate: historical considerations on race, place and virtue113 cited
  • 2003Notes from the Surface of the Image102 cited
  • 2003When Is a Photograph Worth a Thousand Words?78 cited
  • 2001Urban fertility and mortality patterns75 cited
  • 2004Edith Wharton and the Politics of Race48 cited
  • 2001Structure, culture and society in British towns48 cited
  • 1998The Indian Woman, the Flower Girl, and the Jew: Photojournalism in Edwardian London40 cited
  • 2003Navajo and Photography37 cited
  • 1997Passion and Fashion in Joanna Baillie's “Introductory Discourse”29 cited
  • 1997Louis Agassiz's photographs in Brazil: Separate creations27 cited
  • 2003Yoruba Photography26 cited
  • 2013A Whiter Shade of Pale25 cited
  • 2003The Changing Photographic Contract25 cited
  • 2000Extinction, Taxidermy, Tableaux Vivants: Staging Race and Class inThe House of Mirth

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24 cited