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Garrick, iconic acting, and the ideologies of theatrical portraiture
16 references·6 citing·25 second hop
Garrick, iconic acting, and the ideologies of theatrical portraiture (1990)Garrick, iconic acting, and the ideologie…Dramatic Character in the English Romantic Age (2015)Dramatic Character in the Eng…The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public." (1990)The Political Theory of Paint…Iconology (1986)IconologyGarrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England (1985)Garrick Claims the Stage: Act…British Theatre and the Other Arts, 1660-1800. (1985)British Theatre and the Other…David Garrick: A Critical Biography (1980)David Garrick: A Critical Bio…The Politics of Drama in Augustan England (1964)The Politics of Drama in Augu…The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (1960)The Sister Arts: The Traditio…The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (1959)The Sister Arts: The Traditio…The Art of Painting the Passions (1953)The Art of Painting the Passi…Box, Pit, and Gallery (1953)Box, Pit, and GalleryLV Nature to Advantage Dressed: Eighteenth-Century Acting (1943)LV Nature to Advantage Dresse…Ut Pictura Poesis: The Humanistic Theory of Painting (1940)Ut Pictura Poesis: The Humani…Ut Pictura Poesis: The Humanistic Theory of Painting (1940)Ut Pictura Poesis: The Humani…The Revolution of History Painting (1938)The Revolution of History Pai…Philological Quarterly (1922)Philological QuarterlyDavid Garrick and the Mediation of Celebrity (2019)David Garrick and the Mediati…The rival sirens: performance and identity on Handel's operatic stage (2014)The rival sirens: performance…Selling Celebrity: Actors’ Portraits in Bell’s Shakespeare and Bell’s British Theatre (2012)Selling Celebrity: Actors’ Po…Garrick among Media: The “NowPerformer” Navigates the News (2011)Garrick among Media: The “Now…The Power of the Passive Self in English Literature, 1640–1770 (2002)The Power of the Passive Self…Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma (1997)Interpreting the Pictorial Re…The field of cultural production, or: The economic world reversed (1983)The Cambridge History of Literary Criticism (1997)Innovation: the history of a category (2008)Womanufacture (1991)Reading a View: Poem and Picture in the Greek Anthology (2010)Religion and literature (2000)The Cambridge History of British Theatre (2004)Eighteenth-century women poets (2005)Jane Austen, Emma, and the Impact of Form (2000)History of Modern Aesthetics (2005)Habitus Clivé: Aesthetics and Politics in the Work of Pierre Bourdieu (2007)Garrick's Body and the Labor of Art in Eighteenth-Century Theater (1996)Harlequin Britain: Eighteenth-Century Pantomime and the Cultural Location of Entertainment(s) (1998)The Rhetoric of Sensibility in Eighteenth-Century Culture (2004)Expressionism and Modernism in the American Theatre (2005)The Cambridge History of American Theatre (1998)The Cambridge History of English Literature, 1660–1780 (2005)the madman and the migrant: work and labor in the historical consciousness of a South African people (1987)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Putting the Image Back Into the Frame: Modeling the Linkage Between Visual Communication and Frame-Processing Theory (2014)Features, Syntax, and Categories in the Latin Perfect (2000)Synesthetic metaphor: A cognitive perspective (2003)Dismantling Structural Racism in Psychiatry: A Path to Mental Health Equity (2021)Galileo as a Critic of the Arts (1954)Was art really the ‘book of the illiterate’? (1989)
this work references cited by second hop

References

  • 1922Philological Quarterly1,578 cited
  • 1986Iconology1,294 cited
  • 1959The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray302 cited
  • 1940Ut Pictura Poesis: The Humanistic Theory of Painting284 cited
  • 1940Ut Pictura Poesis: The Humanistic Theory of Painting217 cited
  • 1980David Garrick: A Critical Biography146 cited
  • 2015Dramatic Character in the English Romantic Age139 cited
  • 1953Box, Pit, and Gallery117 cited
  • 1990The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public."114 cited
  • 1943LV Nature to Advantage Dressed: Eighteenth-Century Acting97 cited
  • 1960The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray87 cited
  • 1964The Politics of Drama in Augustan England77 cited
  • 1953The Art of Painting the Passions64 cited
  • 1985British Theatre and the Other Arts, 1660-1800.52 cited
  • 1938The Revolution of History Painting51 cited
  • 1985Garrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England

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45 cited

Cited by

  • 2002The Power of the Passive Self in English Literature, 1640–177036 cited
  • 1997Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma25 cited
  • 2011Garrick among Media: The “NowPerformer” Navigates the News20 cited
  • 2019David Garrick and the Mediation of Celebrity16 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2012Selling Celebrity: Actors’ Portraits in Bell’s Shakespeare and Bell’s British Theatre6 cited