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Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass
5 references·16 citing·41 second hop
Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-Destructive Spectroscopic Detection o…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Identification by Raman micro…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…Ancient Egyptian Materials and Industries (1963)Ancient Egyptian Materials an…Ancient Egyptian Materials and Industries (1935)Ancient Egyptian Materials an…Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging (2016)Rembrandt's ‘Saul and David’ …Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Non-Invasive and Non-Destruct…Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique (2015)Non-invasive identification o…An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)An integrated spectroscopic a…Materials and technological evolution of ancient cobalt-blue-decorated ceramics: Pigments and work patterns in tin-glazed objects from Aragon (Spain) from the 15th to the 18th century AD (2009)Materials and technological e…A study of the blue colors used by Telemaco Signorini (1835–1901) (2009)A study of the blue colors us…The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts (2008)The joined use of n.i. spectr…A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)A non-invasive XRF study supp…Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)Non-invasive in-situ investig…Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Non-Invasive Identification o…Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…Decay markers for the preventative conservation and maintenance of paintings (2004)Decay markers for the prevent…Decay characterization of glassy pigments: an XPS investigation of smalt paint layers (2004)Decay characterization of gla…Heterogeneous distribution of metal nanocrystals in glazes of historical pottery (2002)Heterogeneous distribution of…Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Fiber Optics Reflectance Spec…Image spectroscopy mapping technique for noninvasive analysis of paintings (1999)Image spectroscopy mapping te…The materials and techniques 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(2010)The Cambridge Ancient History (1971)An Attic Country House below the Cave of Pan at Vari (1973)Evidence for cultivation of sesame in the ancient world (1986)
this work references cited by second hop

References

  • 1963Ancient Egyptian Materials and Industries549 cited
  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1979National Gallery Technical Bulletin346 cited
  • 1935Ancient Egyptian Materials and Industries165 cited
  • 1995Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript118 cited

Cited by

  • 2002Heterogeneous distribution of metal nanocrystals in glazes of historical pottery96 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
  • 2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited
  • 2016Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods86 cited
  • 2010An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques83 cited
  • 2007Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy78 cited
  • 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting

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72 cited
  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • 1999Image spectroscopy mapping technique for noninvasive analysis of paintings67 cited
  • 2009A study of the blue colors used by Telemaco Signorini (1835–1901)60 cited
  • 2004Decay markers for the preventative conservation and maintenance of paintings52 cited
  • 2016Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging51 cited
  • 2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
  • 2009Materials and technological evolution of ancient cobalt-blue-decorated ceramics: Pigments and work patterns in tin-glazed objects from Aragon (Spain) from the 15th to the 18th century AD47 cited
  • 2004Decay characterization of glassy pigments: an XPS investigation of smalt paint layers44 cited