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Dead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan
11 references·1 citing·30 second hop
Dead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan (2006)Dead Center: Tragedy and the Reanimated B…Amid our troubles : Irish versions of Greek tragedy (2002)Amid our troubles : Irish ver…Theatre talk : voices of Irish theatre practitioners (2001)Theatre talk : voices of Iris…Theatre stuff : critical essays on contemporary Irish theatre (2000)Theatre stuff : critical essa…Bodied Spaces: Phenomenology and Performance in Contemporary Drama (1998)Bodied Spaces: Phenomenology …Perspectives of Irish Drama and Theatre (1992)Perspectives of Irish Drama a…Suicide in Victorian and Edwardian England. (1990)Suicide in Victorian and Edwa…Acting women: images of women in theatre (1990)Acting women: images of women…The Field of Drama (1989)The Field of DramaTragic ways of killing a woman (1987)Tragic ways of killing a womanSuicide: Representations of the Feminine in the Nineteenth Century (1985)Suicide: Representations of t…The Origin of German Tragic Drama (1978)The Origin of German Tragic D…Writing from the margins: Marina Carr's early theatre (2014)Writing from the margins: Mar…The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender (1979)Reflections: Essays, Aphorisms, Autobiographical Writings (1980)Neurosis and Human Growth (2013)Romantic Suicide, Contagion, and Rousseau’s Julie (2015)Reading Agnes: The Rhetoric of Gender in Ambrose and Prudentius (1995)Dangerous Gifts: Ideologies of Marriage and Exchange in Ancient Greece (2003)Free Speech and Democracy in Ancient Athens (2005)Government and society in England and Wales, 1750–1914 (1990)Society and the state in twentieth-century Britain (1990)Suicide Determination and the Professional Authority of Medical Examiners (2005)From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters (1999)Masks and Faces: Female Legibility in the Restoration Era (2000)Control of Costume in Three Plays of Aristophanes (2003)Toward a Phenomenological Model of the Actor's Embodied Modes of Experience (2004)The Cambridge Introduction to Scenography (2009)Salomé!! Sarah Bernhardt, Oscar Wilde, and the Drama of Celebrity (2011)The Routledge Reader in Politics and Performance (2002)Censored Translations in Franco’s Spain: The TRACE Project — Theatre and Fiction (English-Spanish) (2004)Safeguarding and Accessing Drama as Intangible Cultural Heritage (2016)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Packing History, Count(er)ing Generations (2000)Allegories of the Anthropocene (2019)The Reception of Sophocles' Representation of Physical Pain (2007)Afterword: Omni-Local Classical Receptions (2013)Postdramatic Tragedies (2019)Literature and cinema (2005)The Cambridge History of Twentieth-Century English Literature (2005)The Structural Elegance of Conor McPherson's The Weir (2006)Contemporary drama in English: 1940–2000 (2006)Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats ... (2006)
this work references cited by second hop

References

  • 1978The Origin of German Tragic Drama897 cited
  • 1998Bodied Spaces: Phenomenology and Performance in Contemporary Drama183 cited
  • 1990Suicide in Victorian and Edwardian England.146 cited
  • 1987Tragic ways of killing a woman125 cited
  • 2000Theatre stuff : critical essays on contemporary Irish theatre112 cited
  • 2002Amid our troubles : Irish versions of Greek tragedy95 cited
  • 2001Theatre talk : voices of Irish theatre practitioners67 cited
  • 1989The Field of Drama64 cited
  • 1985Suicide: Representations of the Feminine in the Nineteenth Century43 cited
  • 1990Acting women: images of women in theatre32 cited
  • 1992Perspectives of Irish Drama and Theatre21 cited

Cited by

  • 2014Writing from the margins: Marina Carr's early theatre7 cited

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