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Artists as scientists: nature and realism in early modern Europe
14 references·0 citing·28 second hop
Artists as scientists: nature and realism in early modern Europe (2000)Artists as scientists: nature and realism…Early Netherlandish Painting: Its Origins and Character (2019)Early Netherlandish Painting:…Hans Belting / Christiane Kruse, Die Erfindung des Gemäldes. Das erste Jahrhundert der niederländischen Malerei. (1997)Hans Belting / Christiane Kru…Die Erfindung des Gemaldes: Das erste Jahrhundert der niederlandischen Malerei (1996)Die Erfindung des Gemaldes: D…Siena, Florence, and Padua : art, society, and religion 1280-1400 (1995)Siena, Florence, and Padua : …The lives of the illustrious Netherlandish and German painters, from the first edition of the Schilder-boeck (1603-1604), preceded by the lineage, circumstances and place of birth, life and works of Karel van Mander, painter and poet and likewise his death and burial, from the second edition of the Schilder-boeck (1616-1618) (1994)The lives of the illustrious …Realism and representation : essays on the problem of realism in relation to science, literature, and culture (1993)Realism and representation : …:Leonardo on Painting (1990):Leonardo on PaintingUntersuchungen zu Kunstlerbildnis und Kunstlerdarstellung in den Niederlanden im 17. Jahrhundert (1986)Untersuchungen zu Kunstlerbil…Jesus as Mother: Studies in the Spirituality of the High Middle Ages (1983)Jesus as Mother: Studies in t…Bosch's Garden of Delights Triptych: Remnants of a "Fossil" Science (1981)Bosch's Garden of Delights Tr…Idea: A Concept in Art Theory (1971)Idea: A Concept in Art TheoryGuarino, Pisanello and Manuel Chrysoloras (1965)Guarino, Pisanello and Manuel…Early Italian Nature Studies and the Early Calendar Landscape (1950)Early Italian Nature Studies …Le vite de' più eccellenti pittori, scultori e architettori (1911)Le vite de' più eccellenti pi…Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry (1995)Francesco II Gonzaga and maps as palace decoration in renaissance Mantua (1999)In situ non‐invasive EDXRF analysis to reconstruct stratigraphy and thickness of Renaissance pictorial multilayers (2007)The making of modern intellectual property law : the British experience, 1760-1911 (1999)Beyond Mimesis and Convention (2010)The dialogical mind common sense and ethics (2016)2. Gender: A Useful Category of Historical Analysis (1988)Popular Politics and the English Reformation (2002)The Book of Memory (2008)Icon and Vision: Giovanni Bellini's Half-Length Madonnas (1975)Altarpieces, Liturgy, and Devotion (2004)Embracing ambiguity in management controls and decision-making processes: On how to design data visualisations to prompt wise judgement (2017)Vasari's Words: The 'Lives of the Artists' as a History of Ideas in the Italian Renaissance (2018)Between the Pagan Past and Christian Present in Byzantine Visual Culture (2021)Psychoanalysis and Art, Freud and Leonardo (2001)Paintings as Architectural Space: “Guided Tours” by Cézanne and Hokusai (2008)A “True Likeness”: The Renaissance City Portrait (2012)Classical liberty, Renaissance translation and the English civil war (2002)From the state of princes to the person of the state (2002)Art, Science, and Visual Culture in Early Modern Europe (2006)Antwerp artists and the practice of painting on copper (1998)THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE (2012)The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance (2017)De origine et progressu ordinis fratrum heremitarum: Guariento and the Eremitani in Padua (1998)Siena on the Silk Roads: Ambrogio Lorenzetti and the Mongol Global Century, 1250–1350 (2010)Narration or Science? Collapsing the Division in Organization Studies (1995)Writing for learning in secondary science: Rethinking practices (1996)Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments (2002)
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References

  • 1983Jesus as Mother: Studies in the Spirituality of the High Middle Ages530 cited
  • 1993Realism and representation : essays on the problem of realism in relation to science, literature, and culture148 cited
  • 2019Early Netherlandish Painting: Its Origins and Character123 cited
  • 1971Idea: A Concept in Art Theory117 cited
  • 1911Le vite de' più eccellenti pittori, scultori e architettori95 cited
  • 1950Early Italian Nature Studies and the Early Calendar Landscape70 cited
  • 1990:Leonardo on Painting46 cited
  • 1965Guarino, Pisanello and Manuel Chrysoloras41 cited
  • 1995Siena, Florence, and Padua : art, society, and religion 1280-140032 cited
  • 1994The lives of the illustrious Netherlandish and German painters, from the first edition of the Schilder-boeck (1603-1604), preceded by the lineage, circumstances and place of birth, life and works of Karel van Mander, painter and poet and likewise his death and burial, from the second edition of the Schilder-boeck (1616-1618)14 cited
  • 1996Die Erfindung des Gemaldes: Das erste Jahrhundert der niederlandischen Malerei8 cited
  • 1986Untersuchungen zu Kunstlerbildnis und Kunstlerdarstellung in den Niederlanden im 17. Jahrhundert8 cited
  • 1997Hans Belting / Christiane Kruse, Die Erfindung des Gemäldes. Das erste Jahrhundert der niederländischen Malerei.7 cited
  • 1981Bosch's Garden of Delights Triptych: Remnants of a "Fossil" Science

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