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Edmund Eyre's The Maid of Normandy ; or, Charlotte Corday in Anglo-Irish Docudrama
16 references·0 citing·27 second hop
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References

  • 2003Britons : Forging the Nation, 1707-18371,207 cited
  • 1994Over Her Dead Body: Death, Femininity and the Aesthetic1,016 cited
  • 2004Illegitimate Theatre in London, 1770-1840464 cited
  • 1987Monuments and Maidens: The Allegory of the Female Form459 cited
  • 1986Politics, Culture, and Class in the French Revolution444 cited
  • 1990Citizens: A Chronicle of the French Revolution400 cited
  • 1978The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess235 cited
  • 1977The Censorship of English Drama 1737-1824186 cited
  • 1986Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England121 cited
  • 1975A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800.108 cited
  • 1989The Body and the French Revolution: Sex, Class, and Political Culture104 cited
  • 1999Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885101 cited
  • 2001Rebellious Hearts British Women Writers and the French Revolution74 cited
  • 2003Riotous performances : the struggle for hegemony in the Irish theater, 1712-178472 cited
  • 2002Real Emotional Logic: Film and Television Docudrama as Persuasive Practice

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71 cited
  • 1999Why docudrama? : fact-fiction on film and TV71 cited
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