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Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry
14 references·3 citing·35 second hop
Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry (1995)Characterization of medieval proteinaceou…Ancient Binding Media, Varnishes and Adhesives (1995)Ancient Binding Media, Varnis…Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger (1992)Identification of proteinaceo…CONSERVATION OF THE ARCHITECTURAL DECORATION OF MISSION SAN XAVIER DEL BAC, TUCSON, ARIZONA (1992)CONSERVATION OF THE ARCHITECT…Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’ (1992)Amino acid analysis of protei…Application of analytical pyrolysis to problems in art and archaeology: A review (1989)Application of analytical pyr…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Conservation of Wall Paintings (1985)Conservation of Wall PaintingsConservation of wall paintings (1984)Conservation of wall paintingsAgeing and Deterioration of Proteinaceous Media (1981)Ageing and Deterioration of P…A Dictionary of Art Terms and Techniques (1971)A Dictionary of Art Terms and…Dictionary of Art and Artists (1967)Dictionary of Art and ArtistsDictionary of Art and Artists (1959)Dictionary of Art and ArtistsIl Libro dell'Arte (1934)Il Libro dell'ArteLe vite de' più eccellenti pittori, scultori e architettori (1911)Le vite de' più eccellenti pi…GC/MS in the Characterisation of Protein Paint Binders (2009)GC/MS in the Characterisation…Exploration of anthropological specimens by GC‐MS and chemometrics (2004)Exploration of anthropologica…A study for the characterization of binding media from medieval polychrome sculptures by gas chromatography-mass spectrometry (1996)A study for the characterizat…The practice of tempera painting (1962)The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)The Organic Chemistry of Museum Objects (1987)Protein Determination in Polychromed Stone Sculptures, Stuccoes and Gesso Grounds (1994)Gas Chromatographic Analysis of Amino Acids As Ethyl Chloroformate Derivatives. Part 1, Composition of Proteins Associated with Art Objects and Monuments (1996)Towards proteomic analysis of milk proteins in historical building materials (2009)Application of Science in Examination of Works of Art (1959)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar (2012)Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Strontium, a new marker of the origin of gypsum in cultural heritage? (2013)Francesco II Gonzaga and maps as palace decoration in renaissance Mantua (1999)In situ non‐invasive EDXRF analysis to reconstruct stratigraphy and thickness of Renaissance pictorial multilayers (2007)Angels and the Order of Heaven in Medieval and Renaissance Italy (2014)Educating the Eye: Strategies for Museum Education (1993)A colour chemist's history of Western art (1999)The American Artist's Tools and Materials for On-Site Oil Sketching (1999)Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects (1995)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation (1996)Late Classical and Hellenistic painting techniques and materials: a review of the technical literature (2002)What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis (2016)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY (2009)Practical notes on ultraviolet technical photography for art examination (2015)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)
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References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1985Conservation of Wall Paintings151 cited
  • 1984Conservation of wall paintings137 cited
  • 1934Il Libro dell'Arte102 cited
  • 1911Le vite de' più eccellenti pittori, scultori e architettori95 cited
  • 1981Ageing and Deterioration of Proteinaceous Media77 cited
  • 1989Application of analytical pyrolysis to problems in art and archaeology: A review75 cited
  • 1995Ancient Binding Media, Varnishes and Adhesives57 cited
  • 1971A Dictionary of Art Terms and Techniques53 cited
  • 1992Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’50 cited
  • 1967Dictionary of Art and Artists31 cited
  • 1992Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger30 cited
  • 1959Dictionary of Art and Artists16 cited
  • 1992CONSERVATION OF THE ARCHITECTURAL DECORATION OF MISSION SAN XAVIER DEL BAC, TUCSON, ARIZONA12 cited

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  • 1996A study for the characterization of binding media from medieval polychrome sculptures by gas chromatography-mass spectrometry

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13 cited
  • 2009GC/MS in the Characterisation of Protein Paint Binders13 cited
  • 2004Exploration of anthropological specimens by GC‐MS and chemometrics12 cited