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This article explores the cinematic portrayals of the amnesiac assassin Jason Bourne. Bourne's odyssey is plotted against a number of themes—gender, dangerous places, and apparently banal things, such as paper files. It provokes interesting questions about how a “known unknown” is addressed by national security managers.
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Stored only when both papers are in the corpus — 24 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.