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Discovering the Subject in Renaissance England
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  • 2004:Shakespeare and the Force of Modern Performance96 cited
  • 2006:Seeing and Being Seen in the Later Medieval World: Optics, Theology, and Religious Life50 cited
  • 2012Theatre and testimony in Shakespeare's England: a culture of mediation16 cited
  • 2008The Whale Under The Microscope: Technology And Objectivity In Two Renaissance Utopias16 cited
  • 2015The Cognitive Politics of Writing in Jacobean England: Bacon, Coke, and the Case of Edmund Peacham14 cited
  • 2014How To Make Love to the Moon: Intimacy and Erotic Distance in John Lyly’s Endymion13 cited
  • 2006Deixis and the renaissance art of self construction 16 cited
  • 2011The Tyranny of Tragedy: Catharsis in England and The Roman Actor4 cited
  • 2009“The terms for common justice”: Performing and Reforming Confession inMeasure for Measure4 cited
  • 2011Love and Technological Iconoclasm in Robert Greene's Friar Bacon and Friar Bungay2 cited
  • 2012England's Amphitruo before Dryden: The Varied Pleasures of Plautus's Template2 cited
  • 2003Marketing the Gift: Jonson, Multiple Patronage, and Strategic Exchange.2 cited
  • 2013Torture and Summary Justice in The Spanish Tragedy2 cited
  • 2014The Scourge of Plagiary: Perversions of Imitation in the English Renaissance

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2 cited