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A portrait of the politician as a young pub rocker: live music venue reform in Australia
5 references·8 citing·45 second hop
A portrait of the politician as a young pub rocker: live music venue reform in Australia (2008)A portrait of the politician as a young p…URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE (2004)URBAN REDEVELOPMENT, LIVE MUS…Losing the local: Sydney and the Oz Rock tradition (2000)Losing the local: Sydney and …Local music policies within a global music industry: cultural quarters in Manchester and Sheffield (2000)Local music policies within a…Cities and the Night-time Economy (1995)Cities and the Night-time Eco…Gigs: jazz and the cabaret laws in New York City (1992)Gigs: jazz and the cabaret la…Challenges facing regional live music venues: A case study of venues in Armidale, NSW (2020)Challenges facing regional li…Towards an ideal typical live music city (2018)Towards an ideal typical live…The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues (2016)The “Toilet Circuit”: Cultura…Why get involved? Finding reasons for municipal interventions in the Canadian music industry (2013)Why get involved? Finding rea…Wired for sound: an investigation into South African live music performance and the Johannesburg live music scene (2010)Wired for sound: an investiga…The tyranny of distance: Viability and relevance in regional live music performance (2010)The tyranny of distance: Viab…State of play (2010)State of playThe city: Creative migration and the demise of small music venues (2009)The city: Creative migration …Club cultures: music, media and subcultural capital (1996)The Cultural Economy of Cities (1997)Mosquitoes in the mix: How transferable is creative city thinking? (2009)Spaces and Networks of Musical Creativity in the City (2009)Night lives: Heterotopia, youth transitions and cultural infrastructure in the urban night (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Frame Reflection: Toward the Resolution of Intractable Policy Controversies (1995)The paradox of plenty: oil booms and petro-states (1998)The Rise of the Creative Class (2002)Scène, permanence et travail d’alliance (2016)Introduction (2020)The “music city” paradigm and its policy side: a focus on Brisbane and Melbourne (2022)Loft Living: Culture and Capital in Urban Change. (1985)The consequences of modernity (1990)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Enabling and Inhibiting the Creative Economy: The Role of the Local and Regional Dimensions in England (2009)Geographies of Displacement in the Creative City: The Case of Liberty Village, Toronto (2009)The Death and Life of Great American Cities (2015)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Disjuncture and Difference in the Global Cultural Economy (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Mapping the Music Industry in Scotland: A Report (2003)Gentrification, Cultural Policy and Live Music in Melbourne (2006)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Postmodern Interviewing (2003)Canadian content regulations and the formation of a national scene (2008)The difference of Perth music: A scene in cultural and historical context (2008)Theorising Artists as Actors of Urban Change (2017)The Ritual Process. Structure and Anti-Structure (1971)On Collective Memory (1992)Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)Sonic Heritage, Identity and Music-making in Sheffield, “Steel City” (2020)The Nature of the Firm (1937)Economy and Society: An Outline of Interpretive Sociology (1969)From Managerialism to Entrepreneurialism: The Transformation in Urban Governance in Late Capitalism (1989)Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton (2020)Methodological approaches to evaluating the impact of Community Arts on Health (2007)Live music, liquor and the city: An examination of the influence of liquor regulation on place-specific live music activity (2016)Left off the circuit: the impact of shrinking live music tours on cities (2024)Fashioning the city: Cultures of consumption in contemporary urban spaces (1998)Searching for Experiences (2002)Drunk and Disorderly: Alcohol, Urban Life and Public Space (2006)Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event (2006)Racism, criminalization and the development of night-time economies: Two case studies in London and Manchester (2006)Dilemmas of the Nightlife Fix (2011)
this work references cited by second hop

References

  • 2000Local music policies within a global music industry: cultural quarters in Manchester and Sheffield192 cited
  • 1995Cities and the Night-time Economy172 cited
  • 2004URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE85 cited
  • 1992Gigs: jazz and the cabaret laws in New York City52 cited
  • 2000Losing the local: Sydney and the Oz Rock tradition23 cited

Cited by

  • 2018Towards an ideal typical live music city14 cited
  • 2013Why get involved? Finding reasons for municipal interventions in the Canadian music industry12 cited
  • 2010State of play10 cited
  • 2016The “Toilet Circuit”: Cultural Production, Fandom and Heritage in England's Small Music Venues7 cited
  • 2010The tyranny of distance: Viability and relevance in regional live music performance7 cited
  • 2020Challenges facing regional live music venues: A case study of venues in Armidale, NSW4 cited
  • 2010Wired for sound: an investigation into South African live music performance and the Johannesburg live music scene3 cited
  • 2009The city: Creative migration and the demise of small music venues3 cited

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