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What a Documentary Is, After All
3 references·14 citing·42 second hop
What a Documentary Is, After All (2005)What a Documentary Is, After AllVisible Traces: Documentary and The Contents of Photographs (1999)Visible Traces: Documentary a…Fiction, Non-fiction, and the Film of Presumptive Assertion: A Conceptual Analysis (1997)Fiction, Non-fiction, and the…Transparent Pictures: On the Nature of Photographic Realism (1984)Transparent Pictures: On the …The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation (2021)The Fiction/Nonfiction Distin…Falsehoods in film: documentary vs fiction (2021)Falsehoods in film: documenta…Tensiones televisivas: el falso-documental como herramienta ideológica (2020)Tensiones televisivas: el fal…BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film (2019)BILDER EINER BESSEREN WELT Di…Characterization and Character Engagement in the Documentary (2018)Characterization and Characte…Documentary and its realism (2017)Documentary and its realismDocumentando lo Efímero: reconsideración de la idea de presencia en los debates sobre la performance (2017)Documentando lo Efímero: reco…What Does It Mean to Be an Ecological Filmmaker?: Knut Erik Jensen’s Work as Eco-Auteur (2016)What Does It Mean to Be an Ec…Transnormativity: A New Concept and Its Validation through Documentary Film About Transgender Men (2016)Transnormativity: A New Conce…Justice on Screen – A Study of Four Documentary Films on the International Criminal Court (2016)Justice on Screen – A Study o…Soul of the Documentary: Framing, Expression, Ethics (2015)Soul of the Documentary: Fram…Re-cognizing the post-Soviet condition: the documentary turn in contemporary art in the Baltic States (2010)Re-cognizing the post-Soviet …What You Get Is What You See: Digital Images and the Claim on the Real (2009)What You Get Is What You See:…Avatares de la mirada: estrategias enunciativas del cine documental español contemporáneo (2008)Avatares de la mirada: estrat…Rhétorique de l'image (1964)The Language of New Media (2002)Expression and meaning studies in the theory of speech acts (2005)Recadrages : pour une pragmatique historique du dispositif cinématographique1 (2014)Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact (2014)Doing Experimental Media Archaeology (2019)The Presentation of Self in Everyday Life. (1956)Bodies That Matter (2011)Framing, Following, Middling: Towards Methodologies of Relational Materialities (2015)Pysähdyttävät paikat (2018)The Interpersonal World of the Infant (2018)The Cultural Practice of Immigrant Filmmaking (2019)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Doing Gender (1987)Diagnostic and Statistical Manual of Mental Disorders (2013)Challenging the Cisgender/Transgender Binary: Nonbinary People and the Transgender Label (2020)“A little shiny gender breakthrough”: Community understandings of gender euphoria (2021)Reducing the Joy Deficit in Sociology: A Study of Transgender Joy (2022)Theorizing documentary (1993)On the Expressive Function of Law (1996)Trials and Errors: Principle and Pragmatism in Strategies of International Justice (2004)Seeing justice done: Courtroom filming and the deceptions of transparency (2019)Vulnerability in Scandinavian Art and Culture (2020)Representing reality: issues and concepts in documentary (1992)The Presentation of Self in Everyday Life (2023)Characters in Film and Other Media (2025)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Renaissance Self-Fashioning from More to Shakespeare (1982)Introduction to documentary (2002)Technik als Trost (2023)Categories of Art (1970)The Nature of Fiction (1990)The Routledge Handbook of Philosophy of Imagination (2016)Definition of Fiction: State of the Art (2021)Cognitive Film Theory : An Insider’s Appraisal (2007)Depictive Traces: On the Phenomenology of Photography (2011)Mediating distant violence: reports on non-photographic reporting inThe FixerandThe Photographer (2015)Found Footage Film as Discursive Metahistory: Craig Baldwin's Tribulation 99 (2003)Documentary Screens: Non-Fiction Film and Television (2004)Seeing, Doing, and Knowing (2005)Getting Told and Being Believed (2006)The Epistemic Threat of Deepfakes (2020)
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References

  • 1984Transparent Pictures: On the Nature of Photographic Realism426 cited
  • 1999Visible Traces: Documentary and The Contents of Photographs84 cited
  • 1997Fiction, Non-fiction, and the Film of Presumptive Assertion: A Conceptual Analysis82 cited

Cited by

  • 2016Transnormativity: A New Concept and Its Validation through Documentary Film About Transgender Men309 cited
  • 2019BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film96 cited
  • 2018Characterization and Character Engagement in the Documentary39 cited
  • 2015Soul of the Documentary: Framing, Expression, Ethics32 cited
  • 2009What You Get Is What You See: Digital Images and the Claim on the Real26 cited
  • 2016Justice on Screen – A Study of Four Documentary Films on the International Criminal Court24 cited
  • 2021Falsehoods in film: documentary vs fiction24 cited
  • 2021The Fiction/Nonfiction Distinction: Documentary Studies and Analytic Aesthetics in Conversation9 cited
  • 2016What Does It Mean to Be an Ecological Filmmaker?: Knut Erik Jensen’s Work as Eco-Auteur7 cited
  • 2017Documentando lo Efímero: reconsideración de la idea de presencia en los debates sobre la performance7 cited
  • 2010Re-cognizing the post-Soviet condition: the documentary turn in contemporary art in the Baltic States

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6 cited
  • 2008Avatares de la mirada: estrategias enunciativas del cine documental español contemporáneo6 cited
  • 2017Documentary and its realism5 cited
  • 2020Tensiones televisivas: el falso-documental como herramienta ideológica2 cited