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The purple Codex Rossanensis: spectroscopic characterisation and first evidence of the use of the elderberry lake in a sixth century manuscript
6 references·5 citing·41 second hop
The purple Codex Rossanensis: spectroscopic characterisation and first evidence of the use of the elderberry lake in a sixth century manuscript (2014)The purple Codex Rossanensis: spectroscop…Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Characterisation of colourant…Non-invasive investigation on a VI century purple codex from Brescia, Italy (2013)Non-invasive investigation on…First analytical evidences of precious colourants on Mediterranean illuminated manuscripts (2012)First analytical evidences of…Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Historical organic dyes: a su…UV-VIS-NIR REFLECTANCE SPECTROSCOPY OF RED LAKES IN PAINTINGS (2008)UV-VIS-NIR REFLECTANCE SPECTR…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…The parchment of the Vienna Genesis: characteristics and manufacture (2020)The parchment of the Vienna G…The miniatures of the Vienna Genesis: colour identification and painters’ palettes (2020)The miniatures of the Vienna …Mythic dyes or mythic colour? New insight into the use of purple dyes on codices (2019)Mythic dyes or mythic colour?…Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria (2018)Multianalytical approach for …On the identification of folium and orchil on illuminated manuscripts (2016)On the identification of foli…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Non invasive analysis of miniature paintings: Proposal for an analytical protocol (2012)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods (2015)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)Dyes in History and Archaeology 41 (2023)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)The Leyden Papyrus X. 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this work references cited by second hop

References

  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 2011Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4118 cited
  • 2012First analytical evidences of precious colourants on Mediterranean illuminated manuscripts79 cited
  • 2013Non-invasive investigation on a VI century purple codex from Brescia, Italy46 cited
  • 2008UV-VIS-NIR REFLECTANCE SPECTROSCOPY OF RED LAKES IN PAINTINGS44 cited

Cited by

  • 2018Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria23 cited
  • 2016On the identification of folium and orchil on illuminated manuscripts15 cited
  • 2020The parchment of the Vienna Genesis: characteristics and manufacture15 cited
  • 2019Mythic dyes or mythic colour? New insight into the use of purple dyes on codices12 cited
  • 2020The miniatures of the Vienna Genesis: colour identification and painters’ palettes10 cited

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