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Reggae Routes: The Story of Jamaican Music
0 references·16 citing·45 second hop
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Cited by

  • 2017Cultivation and Catastrophe: The Lyric Ecology of Modern Black Literature76 cited
  • 2004Kingstons's Dancehall58 cited
  • 2010Oh Rudie: Jamaican Popular Music and the Narrative of Urban Badness in the Making of Postcolonial Society23 cited
  • 2011New-school brand creation and creativity – Lessons from Hip Hop and the global branded generation21 cited
  • 2007Punching For Recognition: The Juke Box as a Key Instrument in the Development of Popular Jamaican Music13 cited
  • 2008Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography12 cited
  • 2006“Slackness Personified,” Historicized and Delegitimized12 cited
  • 2005‘Dis Slackness Ting’: A Dichotomizing Master Narrative in Jamaican Dancehall11 cited
  • 2004Frontières, sens, attribution symbolique: le cas du reggae9 cited
  • 2010Chris Blackwell and “My Boy Lollipop”: Ska, Race, and British Popular Music9 cited
  • 2016Linguistic ideologies and the historical development of language use patterns in Jamaican music9 cited
  • 2003Barbadiantukmusic: Colonial development and post‐independence recontextualization19 cited
  • 2011Towards an Exploration of Earl ‘Biggy’ Turner and the New Reggae/Dancehall Fashion Aesthetic7 cited
  • 2015

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Versions, Dubs and Riddims: Dub and the Transient Dynamics of Jamaican Music
7 cited
  • 2007Forging Identity And Community Through Aestheticism and Entertainment: The Sound System and The Rise Of The DJ7 cited
  • 2015Strangers in Paradise: Trevor, Marley, and Me: Reggae Music and the Foreigner Other7 cited