Performing masculinity in the Moroccan theatre: virility, sexuality and Spanish military culture from the African War to the Civil War

Abstract

This article explores constructions of Spanish masculinity in the first decades of the twentieth century, as Spain engaged in colonialist wars in Morocco; memoirs and literary texts by travellers, soldiers and military leaders such as Francisco Franco and José Millán Astray are read alongside theoretical works. I argue that, like European Orientalism, Spanish Orientalism projects onto Moroccan men an image of fanaticism, barbaric violence and ultra‐virile yet ‘polymorphously perverse’ sexuality. However, that particular image of masculinity is just as often re‐assimilated into a Spanish national identity that can never quite manage to assert its fundamental difference from North Africa.

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