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X-RAY ANALYSIS OF PIGMENTS FROM VERGINA, GREECE (SECOND TOMB)
3 references·3 citing·23 second hop
X-RAY ANALYSIS OF PIGMENTS FROM VERGINA, GREECE (SECOND TOMB) (1979)X-RAY ANALYSIS OF PIGMENTS FROM VERGINA, …X-RAY ANALYSIS OF GREEK BRONZE AGE PIGMENTS FROM KNOSSOS (1976)X-RAY ANALYSIS OF GREEK BRONZ…AN ANALYSIS OF BLUE PIGMENTS FROM THE GREEK BRONZE AGE (1976)AN ANALYSIS OF BLUE PIGMENTS …X-Ray Analysis of Greek Bronze Age Pigments from Mycenae (1974)X-Ray Analysis of Greek Bronz…Pigments and colours: An inside look at the painted decoration of the Macedonian funerary monuments (2016)Pigments and colours: An insi…THE RED INK OF THE DEAD SEA SCROLLS (1996)THE RED INK OF THE DEAD SEA S…X-Ray Analysis of Pigments from Pella, Greece (1983)X-Ray Analysis of Pigments fr…The Palace of Minos (1921)Journal of the Royal Society of Arts: 1852–1952 (1952)Technical Studies in the Field of the Fine Arts (1977)The Discovery of Egyptian Blue in a Roman Fresco of the Mediaeval Period (Ninth Century A.D.) (1982)Bronze Age painted plaster in Mycenaean Greece: a pilot study on the testing and application of micro‐Raman spectroscopy (2004)Egyptian Blue Pellets from the First Century BCE Workshop of Kos (Greece): Microanalytical Investigation by Optical Microscopy, Scanning Electron Microscopy-X-ray Energy Dispersive Spectroscopy and Micro-Raman Spectroscopy (2020)Scientific Analyses of Minoan Fresco Samples from Knossos (1977)The Art and Architecture of the Ancient Orient (1956)VERMILION AND CINNABAR (1972)Archaeometry of the Dead Sea Scrolls (2013)Characterization of the Dead Sea Scrolls by advanced analytical techniques (2013)Proteomics and metabolomics composition of the ink of a letter in a fragment of a Dead Sea Scroll from Cave 11 (P1032-Fr0) (2021)6.14 Vitruvius, On Architecture (2024)Painting Materials: A Short Encyclopedia (2011)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Images and colors from the tombs of Paestum: a multidisciplinary study of the pigments in the flora and fauna iconography (2018)A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)The ancient use of colouring on the marble statues of Hierapolis of Phrygia (Turkey): an integrated multi-analytical approach (2019)X-RAY ANALYSIS OF GREEK BRONZE AGE PIGMENTS FROM THERA (SANTORINI) (1977)Lapis Lazuli in an Enigmatic ‘Purple7rsquo; Pigment from a Thirteenth-Century BC Greek Wall Painting (2006)Painted plaster from Bronze Age Thebes, Boeotia (Greece): a technological study (2008)
this work references cited by second hop

References

  • 1976AN ANALYSIS OF BLUE PIGMENTS FROM THE GREEK BRONZE AGE39 cited
  • 1974X-Ray Analysis of Greek Bronze Age Pigments from Mycenae26 cited
  • 1976X-RAY ANALYSIS OF GREEK BRONZE AGE PIGMENTS FROM KNOSSOS25 cited

Cited by

  • 1996THE RED INK OF THE DEAD SEA SCROLLS20 cited
  • 2016Pigments and colours: An inside look at the painted decoration of the Macedonian funerary monuments15 cited
  • 1983X-Ray Analysis of Pigments from Pella, Greece12 cited

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