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Cited by

• 2014The Black Pacific: Music and Racialization in Papua New Guinea and Australia50 cited
• 2011Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music42 cited
• 2002The sound of ‘longing for home’. Redefining a sense of community through Minang popular music28 cited
• 2009Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong26 cited
• 2006Popular music in Malaysia: education from the outside26 cited
• 2006Lukthung: Authenticity and Modernity in Thai Country Music20 cited
• 2014Creative Intersubjectivity in Performance: Perspectives from the Asia-Pacific18 cited
• 2010Another country is the past: Western cowboys, Lanna nostalgia, and bluegrass aesthetics as performed by professional musicians in Northern Thailand16 cited
• 2009Popular cultural cringe: language as signifier of authenticity and quality in the Singaporean popular music market16 cited
• 2009Faye and the Fandom of a Chinese Diva16 cited
• 2016Folklore without a folk: questions in the preservation of the Marinduque Moriones heritage16 cited
• 2014Ganyang! Indonesian Popular Songs from the Confrontation Era, 1963–196615 cited
• 2018Hip-hop Islam: commodification, cooptation and confrontation in Southeast Asia