Popular Music, Gender and Sexualities

Sheila Whiteley

5 citations0/0 files storedIASPM Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Gender and Feminist Studies

Abstract

This paper responds to Philip Tagg’s discussion of the state of popular music studies since the formation of the International Association for the Study of Popular Music (Tagg, 2011) by foregrounding issues concerning the current position of popular music studies, gender and sexualities. It provides both a personal insight into teaching practice and publications, and explores the current position of women in the music industry.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 5 citations exist upstream.

References

1970The Making of a Counter Culture 2001Women and popular music: sexuality, identity and subjectivity 1995Queering the pitch: the new gay and lesbian musicology 2013Redefining Mainstream Popular Music 2013Queering the Popular Pitch 1994Queering the Pitch: The New Gay and Lesbian Musicology 2008Oh boy!: masculinities and popular music 2002Reading Pop: Approaches to Textual Analysis in Popular Music

Cited by

2016Not Just Boys and Rock ’n’ Roll

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.