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"Through style (and not through content, as communists mistakenly believe), art will succeed in impressing a new shape upon the popular spirit," Mario Sironi proclaimed in his 1933 Manifesto of Muralism.1 Sironi's proclamation indicates two primary concerns that had haunted modernist art and would remain a twentieth-century preoccupation: First, can form produce a coherent and intelligible politics both for the artist and viewer? And second, can oppositional camps in emerging twentieth-century politics distinguish themselves clearly through formal means?
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Stored only when both papers are in the corpus — 14 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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