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Rear-View Mirrorshades: The Recursive Generation of the Cyberbody
16 references·0 citing·33 second hop
Rear-View Mirrorshades: The Recursive Generation of the Cyberbody (1995)Rear-View Mirrorshades: The Recursive Gen…Terminal Identity: The Virtual Subject in Postmodern Science Fiction. (1995)Terminal Identity: The Virtua…Terminal identity: the virtual subject in postmodern science fiction (1994)Terminal identity: the virtua…Virtual worlds: a journey in hype and hyperreality (1993)Virtual worlds: a journey in …The “Magic of the Mall”: An Analysis of Form, Function, and Meaning in the Contemporary Retail Built Environment (1993)The “Magic of the Mall”: An A…Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction (1993)Storming the Reality Studio: …The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1992)The Dialectics of Seeing: Wal…The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1992)The Dialectics of Seeing: Wal…Storming the Reality Studio (1992)Storming the Reality StudioWar and Cinema: The Logistics of Perception (1991)War and Cinema: The Logistics…The pleasure of the interface (1991)The pleasure of the interfaceTechniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Art after Modernism: Rethinking Representation (1991)Art after Modernism: Rethinki…The Cult of Information: The Folklore of Computers and the True Art of Thinking (1986)The Cult of Information: The …Mirrorshades: The Cyberpunk Anthology (1986)Mirrorshades: The Cyberpunk A…Reflections: Essays, Aphorisms, Autobiographical Writings (1980)Reflections: Essays, Aphorism…Understanding Media: The Extensions of Man (1964)Understanding Media: The Exte…The Order of Things: An Archaeology of the Human Sciences. (1971)Urban Lifestyles: Diversity and Standardisation in Spaces of Consumption (1998)From Urban Entrepreneurialism to a “Revanchist City”? On the Spatial Injustices of Glasgow’s Renaissance (2002)Research, Performance, and Doing Human Geography: Some Reflections on the Diary-Photograph, Diary-Interview Method (2003)Distinction: A Social Critique of the Judgement of Taste* (2018)Rabelais and his world (2020)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Club cultures: music, media and subcultural capital (1996)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Social Implications of the Internet (2001)Family Feuds: Gender, Nationalism and the Family (1993)A Space for Place in Sociology (2000)Fetishizing the modern city: the phantasmagoria of urban technological networks (2000)The territorial trap: The geographical assumptions of international relations theory (1994)Making War at Home in the United States: Militarization and the Current Crisis (2002)Secure the volume: Vertical geopolitics and the depth of power (2013)Distinguished Lecture: Facing Power—Old Insights, New Questions (1990)IMag[in]ing annual reports (1996)From segmentation to fragmentation (1997)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Sovereignty Revisited (2006)Law and disorder in the postcolony* (2007)Maya Hackers and the Cyberspatialized Nation-State: Modernity, Ethnostalgia, and a Lizard Queen in Guatemala (1996)Nanotechnology in the Age of Posthuman Engineering: Science Fiction as Science (2002)The Routledge Companion to Video Game Studies (2014)When Is a Photograph Worth a Thousand Words? (2003)The Childhood of Human Rights: The Kodak on the Congo (2006)Gangster in guerilla face (2007)The Lessons of Lucasfilm's Habitat (1970)Human Identification in Information Systems (1994)The digital persona and its application to data surveillance (1994)
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References

  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1980Reflections: Essays, Aphorisms, Autobiographical Writings1,584 cited
  • 1991War and Cinema: The Logistics of Perception1,153 cited
  • 1992The Dialectics of Seeing: Walter Benjamin and the Arcades Project822 cited
  • 1993The “Magic of the Mall”: An Analysis of Form, Function, and Meaning in the Contemporary Retail Built Environment589 cited
  • 1991Art after Modernism: Rethinking Representation505 cited
  • 1995Terminal Identity: The Virtual Subject in Postmodern Science Fiction.319 cited
  • 1992The Dialectics of Seeing: Walter Benjamin and the Arcades Project265 cited
  • 1986Mirrorshades: The Cyberpunk Anthology188 cited
  • 1986The Cult of Information: The Folklore of Computers and the True Art of Thinking187 cited
  • 1994Terminal identity: the virtual subject in postmodern science fiction144 cited
  • 1993Virtual worlds: a journey in hype and hyperreality134 cited
  • 1992Storming the Reality Studio69 cited
  • 1991The pleasure of the interface65 cited

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1993
Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction
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