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LIFTING THE LIDS OFF RIPOLIN: A COLLECTION OF PAINT FROM SIDNEY NOLAN'S STUDIO
4 references·1 citing·20 second hop
LIFTING THE LIDS OFF RIPOLIN: A COLLECTION OF PAINT FROM SIDNEY NOLAN'S STUDIO (2013)LIFTING THE LIDS OFF RIPOLIN: A COLLECTIO…Oil-Based House Paints from 1900 to 1960: An Examination of Their History and Development, with Particular Reference to Ripolin Enamels (2013)Oil-Based House Paints from 1…Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments (2009)Chemical Fingerprinting of Re…Ageing behaviour and analytical characterization of the Jatobá resin collected from Hymenaea stigonocarpa Mart. (2009)Ageing behaviour and analytic…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study (2019)Factors Affecting the Reactiv…The Autobiography of Alice B. Toklas (1934)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pablo Picasso to Jasper Johns: a Raman study of cobalt‐based synthetic inorganic pigments (2012)A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments (2013)Exploring a Hidden Painting Below the Surface of René Magritte’s Le Portrait (2016)The Organic Chemistry of Museum Objects (1987)Painting Materials: A Short Encyclopedia (2011)Analytical pyrolysis with in-situ silylation, Py(HMDS)-GC/MS, for the chemical characterization of archaeological and historical amber objects (2013)The analysis of European lacquer: optimization of thermochemolysis temperature of natural resins (2016)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Characterization of Metal Soaps (2003)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Technical examination of Liu Kang’s Paris and Shanghai painting supports (1929–1937) (2021)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints (2015)Picasso’s 1917 paint materials and their influence on the condition of four paintings (2020)An analytical survey of zinc white historical and modern artists’ materials (2024)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2009Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments59 cited
  • 2009Ageing behaviour and analytical characterization of the Jatobá resin collected from Hymenaea stigonocarpa Mart.33 cited
  • 2013Oil-Based House Paints from 1900 to 1960: An Examination of Their History and Development, with Particular Reference to Ripolin Enamels30 cited

Cited by

  • 2019Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study16 cited

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