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The ‘Hindostannie Air’: English Attempts to Understand Indian Music in the Late Eighteenth Century
1 references·7 citing·32 second hop
The ‘Hindostannie Air’: English Attempts to Understand Indian Music in the Late Eighteenth Century (1994)The ‘Hindostannie Air’: English Attempts …The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890 (1988)The Rise of Ethnomusicology: …Music, Encounter, Togetherness (2024)Music, Encounter, TogethernessHybridity and harmony (2014)Hybridity and harmonyBollywoodBhajans: Style as ‘Air’ in an Indian-Guyanese Twice-migrant Community (2014)BollywoodBhajans: Style as ‘A…Indian music history in the context of global encounters (2013)Indian music history in the c…Comparative Organography in Early Modern Empires (2009)Comparative Organography in E…Colonialism, Philology, and Musical Ethnography in Nineteenth-Century India: The Case of S. W. Fallon (2006)Colonialism, Philology, and M…Collecting Indian songs in late 18th‐century Lucknow: Problems of transcription (1994)Collecting Indian songs in la…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Nation and Its Fragments (1994)The nation and its fragments: Colonial and postcolonial histories (1994)Corelli in Calcutta: Colonial music-making in India during the 17th and 18th centuries (1985)Instruments and Music Culture in Eighteenth Century India: The Solvyns Portraits (1988)Guns, Germs, and Steel: The Fates of Human Societies. (1997)The Eastern Origins of Western Civilisation (2004)The Historiography of Music in Global Perspective (2010)Culture and Imperialism (2017)Whither musicology? Amateur musicologists and music writing in Bengal (2017)The European Discovery of Music in the Islamic World and the "Non-Western" in 19th-Century Music History (1987)Women and Music in Cross-Cultural Perspective (1989)Indian music and the West (1997)Imperial Eyes (1900)Imperial Eyes: Travel Writing and Transculturation. (1993)The Invention of “Folk Music” and “Art Music” (2007)Cosmopolitan Sounds and Intimate Narratives in P. Ramlee’s Film Music (2019)Strings across the ocean: practices, traditions, and histories of the Cocos Malaybiolain the Cocos (Keeling) Islands, Indian Ocean (2019)Recapitulation of Malay asli music genre transcriptions for a chamber trio employing music score analysis (2022)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Sound of Evolution (2003)Disorienting Race: Humanizing the Musical Savage and the Rise of British Ethnomusicology (2006)A General History of the Science and Practice of Music (2011)Music, history, and the sacred in South Asia (2013)A General History of Music, from the Earliest Ages to the Present Period (2018)Textures of Time: Writing History in South India 1600-1800 (2000)Singing the Classical, Voicing the Modern (2006)Singing the classical, voicing the modern: the postcolonial politics of music in South India (2007)The Principles of Psychology (1891)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)The way we think: conceptual blending and the mind's hidden complexities (2002)Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience (2023)
this work references cited by second hop

References

  • 1988The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.189053 cited

Cited by

  • 2024Music, Encounter, Togetherness17 cited
  • 2014BollywoodBhajans: Style as ‘Air’ in an Indian-Guyanese Twice-migrant Community16 cited
  • 2009Comparative Organography in Early Modern Empires13 cited
  • 2014Hybridity and harmony8 cited
  • 2006Colonialism, Philology, and Musical Ethnography in Nineteenth-Century India: The Case of S. W. Fallon4 cited
  • 2013Indian music history in the context of global encounters4 cited
  • 1994Collecting Indian songs in late 18th‐century Lucknow: Problems of transcription3 cited

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