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Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema
0 references·5 citing·18 second hop
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (1988)Eros Plus Massacre: An Introduction to th…The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script (2018)The limits of fiction: politi…Contemporary Japanese Cinema Since Hana-Bi (2015)Contemporary Japanese Cinema …The Emotional Geography of Shinjuku: The Case ofChikatetsu Hiroba(Underground Plaza, 1970) (2011)The Emotional Geography of Sh…Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu (2010)Expressive Meaning and Histor…Reigniting Japanese Tradition with Hana-Bi (2001)Reigniting Japanese Tradition…Powers of Horror: An Essay on Abjection (1984)The Condition of Postmodernity (1991)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Postcolonial Theory: A Critical Introduction (2000)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Mga Kwento ni Lola Basyang: A Tradition of Reconfiguring the Filipino Child (2009)Film Festivals: Culture, People, and Power on the Global Screen (2011)Narration in the Fiction Film (2013)The Production of Space (1992)The Cambridge History of Greek and Roman Political Thought (2000)Performance Studies: An Introduction (2003)To the Distant Observer: Form and Meaning in the Japanese Cinema (1982)Japanese classical theater in films (1995)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Hearing Transcendence: Distorted Iconism in Tōru Takemitsu’s Film Music (2014)Japanese film directors (1978)Mr. Smith goes to Tokyo: Japanese cinema under the American occupation, 1945-1952 (1993)The imperial screen: Japanese film culture in the Fifteen Years' War (2003)
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  • 2001Reigniting Japanese Tradition with Hana-Bi35 cited
  • 2015Contemporary Japanese Cinema Since Hana-Bi11 cited
  • 2011The Emotional Geography of Shinjuku: The Case ofChikatetsu Hiroba(Underground Plaza, 1970)6 cited
  • 2010Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu5 cited
  • 2018The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyō Shōnen, 1960). A film re-reading through its script5 cited

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