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Different Drummers: Jazz in the Culture of Nazi Germany
0 references·16 citing·55 second hop
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  • 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
  • 2004Im/plausible deniability: racism's conceptual double bind185 cited
  • 2012Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-194594 cited
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  • 2011Jazz in Athens: Frustrated Cosmopolitans in a Music Subculture65 cited
  • 2007Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences48 cited
  • 1997The Nazi War on Tobacco: Ideology, Evidence, and Possible Cancer Consequences43 cited
  • 2004Innovation and the avant-garde, 1900–2037 cited
  • 2020The End of Americanization? or Reinventing a Research Field for Historians of Europe37 cited
  • 2004Music of seriousness and commitment: the 1930s and beyond31 cited
  • 2010A many-headed beast: progressive rock as European meta-genre31 cited
  • 2007Dismantling a Dystopia: On the Historiography of Music in the Third Reich26 cited
  • 2013Black Germany: The Making and Unmaking of a Diaspora Community, 1884-196022 cited
  • 2015Klezmer music – a historical overview to the present

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18 cited
  • 2006‘Dat Var Negressen Walaida Snow’18 cited
  • 2016The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece16 cited