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‘La cantante delle passioni’: Giuditta Pasta and the idea of operatic performance
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Cited by

  • 2010Classic staging: Pauline Viardot and the 1859Orphéerevival9 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
  • 2021The Female Sublime: Domesticating Luigia Todi’s Voice3 cited
  • 2010From Byron'sThe Corsairto Verdi'sIl corsaro: Poetry Made Music2 cited
  • 2017An Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 18492 cited
  • 2021Fulgores incipientes: primeras mujeres mexicanas estrellas de ópera (ca. 1830-ca. 1860)2 cited

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