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The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features

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References

2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
2007GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences70 cited
2006Iron (hydr)oxide nanocrystals in raw and burnt sienna pigments34 cited
2008Le pitture murali8 cited

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2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
2014Microscopic techniques (LM, SEM) and a multi-analytical approach (EDX, FTIR, GC/MS, Py-GC/MS) to characterise the decoration technique of the wooden ceiling of the House of the Telephus Relief in Herculaneum (Italy)17 cited
2013Effect of MnO2 and α-Fe2O3 on organic binders degradation investigated by Raman spectroscopy17 cited
2018Investigation of the pigment use in the Tomb of the Reliefs and other tombs in the Etruscan Banditaccia Necropolis17 cited
2020The colours of Rome in the walls of Cástulo (Linares, Spain)15 cited
2022A Multi-Analytical Investigation of Roman Frescoes from Rapoltu Mare (Romania)15 cited
2022What were the colors of the Parthenon? Investigation of the entablature's cornice blocks

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12 cited