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“Between Jennings and Jones”: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy
16 references·1 citing·35 second hop
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References

  • 1997Creating Country Music702 cited
  • 2005In Search of Authenticity*563 cited
  • 2004Real Country301 cited
  • 1998Nashville sound: authenticity, commercialization, and country music142 cited
  • 2002Don't get above your raisin': country music and the southern working class88 cited
  • 2001Wrong's What I Do Best: Hard Country Music and Contemporary Culture88 cited
  • 2001Wrong’s What I do Best78 cited
  • 2009The Robin Hood Principle: Folklore, History, and the Social Bandit76 cited
  • 2015The Nashville Sound: Bright Lights and Country Music45 cited
  • 2007Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music41 cited
  • 1998Recycled "Trash": Gender and Authenticity in Country Music Autobiography35 cited
  • 1980The Outlaw: A Distinctive American Folktype34 cited
  • 2000The Heroic Outlaw in Irish Folklore and Popular Literature29 cited
  • 1997Lap Dancer or Hillbilly Deluxe? The Cultural Constructions of Modern Country Music25 cited
  • 1978Country Music: A Reflection of Popular Culture23 cited
  • 1985Nashville: Music City USA

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15 cited

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  • 2019“Boys ‘Round Here”: Masculine Life-Course Narratives in Contemporary Country Music3 cited