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The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender
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References

  • 1985Between Men: English Literature and Male Homosocial Desire.3,019 cited
  • 1980The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.2,614 cited
  • 1989Visual and Other Pleasures2,397 cited
  • 1999The Riverside Shakespeare1,643 cited
  • 1985Speculum of the other woman1,411 cited
  • 1994The Sight of Sound: Music Representation and the History of the Body330 cited
  • 1992Homosexual desire in Shakespeare's England: a cultural poetics260 cited
  • 1993Modernity and the hegemony of vision227 cited
  • 1995Embodied Voices: Representing Female Vocality in Western Culture198 cited
  • 2014The English and Scottish Popular Ballads186 cited
  • 1883The boke named The gouernour145 cited
  • 1989"Sing Againe Syren": The Female Musician and Sexual Enchantment in Elizabethan Life and Literature110 cited
  • 2021Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets109 cited
  • 1998Handbook of Literary Rhetoric: A Foundation for Literary Study98 cited
  • 1939The Works of Edmund Spenser. A Variorum Edition96 cited
  • 1987

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Such Is My Love: A Study of Shakespeare's Sonnets.
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